Throne of the Buddha thumbnail 1
Throne of the Buddha thumbnail 2
Image of Gallery in South Kensington
On display at V&A South Kensington
Buddhism, Room 47f, The Robert H. N. Ho Family Foundation Galleries of Buddhist Art

Throne of the Buddha

Sculpture
2nd century - 3rd century (made)
Artist/Maker
Place of origin

This red sandstone carving probably once formed part of a temple or shrine. It depicts the adoration of the empty throne, with a Buddhist emblem on it. The emblem can be variously interpreted as a throne cushion, a discarded turban headdress or a 'dharmachakra' ('wheel of law') symbol.

Early Buddhist artists were reluctant to represent the Buddha in human form. They preferred to indicate his presence symbolically. This relief indicates the Buddha's presence through an empty throne, attended by two attendants bearing fly-whisks, emblems of a world sovereign (‘cakravartin’), and flanked by winged-lion capitals.


Object details

Categories
Object type
TitleThrone of the Buddha (generic title)
Materials and techniques
Red carved sandstone
Brief description
Relief depicting veneration of the empty throne, sandstone, Mathura, Uttar Pradesh, North India, 2nd-3rd century
Physical description
A red sandstone carving depicting the adoration of the empty throne. A representation of a niche having a column with winged-lion capital on each side, and enclosing a couch or throne and footstool. A Buddhist emblem, probably the Dharma Chakra or Wheel of the Law, is shown on the throne, and two human faces with ornamental head-dresses appear above the back. Below is a Buddhist rail and at each of the two bottom corners, the capital of a pillar.
Dimensions
  • Width: 22cm
  • Height: 33cm
  • Width: 9cm
  • Weight: 9kg
Style
Gallery label
  • The Adoration of the Empty Throne AD 100–300 Kushan dynasty Mathura, Uttar Pradesh, North India Sandstone At the time this was made the Buddha was sometimes represented by symbols rather than in human form. Here, he is indicated by an empty throne flanked by attendants with fly whisks (emblems of a world sovereign). Under the throne is a footstool. The disc resting on the seat is believed to represent the sun, symbolic of the Buddha’s radiance. Given by F.A. Turton Museum no. IS.1039-1883(1/4/2009)
  • The Adoration of the Empty Throne AD 100–300 Kushan dynasty Before the human image of the Buddha developed in the 1st century AD, he was represented by symbols, such as this empty throne. The practice continued while human forms were also created. This image plays on the idea of the Buddha as the spiritual equivalent of a king who rules the whole world, or chakravartin. The disc resting on the seat probably represents the sun, a symbol of the Buddha’s radiance. Mathura, Uttar Pradesh, North India Sandstone Museum no. IS.1039-1883 100–300(03/08/2015)
Credit line
Given by Dr Turton
Object history
Veneration of the Empty Throne. This relief, which is contemporary with many Buddha images, provides a symbolic presence for the Buddha only. The empty throne has a disc on it, most convincingly interpreted as a solar disc (radiant) symbol of the Buddha.
Production
Uttar Pradesh, northern India
Subject depicted
Summary
This red sandstone carving probably once formed part of a temple or shrine. It depicts the adoration of the empty throne, with a Buddhist emblem on it. The emblem can be variously interpreted as a throne cushion, a discarded turban headdress or a 'dharmachakra' ('wheel of law') symbol.

Early Buddhist artists were reluctant to represent the Buddha in human form. They preferred to indicate his presence symbolically. This relief indicates the Buddha's presence through an empty throne, attended by two attendants bearing fly-whisks, emblems of a world sovereign (‘cakravartin’), and flanked by winged-lion capitals.
Bibliographic references
  • P Pal, Light of Asia, Buddha Sakyamuni in Asian Art, Los Angeles Museum of Art, 1984, no 71 J Guy, Indian Temple Sculpture, V&A, 2007, pg 27
  • Guy, John Indian temple sculpture . London: V&A Publications, 2007 p.27, pl.22
  • Haworth-Booth, Mark; Indian Sculpture: A Travelling Exhibition, Victoria & Albert Museum, London, 1971 No. 54
  • Orientations; vol. 40. no. 4; May 2009; The Robert H.N. Ho Family Foundation Gallery, Victoria & Albert Museum. John Guy; Adoring the Stupa, Adoring the Buddha: Kushan Sculpture in the Victoria and Albert Museum, p. 48
Collection
Accession number
IS.1039-1883

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Record createdFebruary 13, 2000
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