Shalabhanjika thumbnail 1
Shalabhanjika thumbnail 2
Image of Gallery in South Kensington
On display at V&A South Kensington
South Asian Sculpture, Room 47b

Shalabhanjika

Figure
2nd century (made)
Artist/Maker
Place of origin

This double-sided pillar bracket relief was reportedly recovered from a Jain stupa (shrine) site at Mathura. Carved in mottled red sandstone, it represents Vrikshaka, a female nature-spirit guardian (yakshi).
She stands with her right arm raised over her head to hold the branch of a flowering Ashoka tree and is decked with courtly jewellery. Her left hand rests on the richly bejewelled girdle which she wears on her hips. Around her neck she wears two bead-necklaces, each forearm is covered with bracelets and her ears have large jewelled earplugs. The figure is seemingly naked. However, a ridge across the stomach and the sash falling down her left side indicate a skirt of transparent diaphanous fabric, perhaps a fine muslin.
At some point in its post-excavation history this relief was sawn into two. This enabled both faces to be exhibited and it was assigned two museum numbers (IM.72-1927 and IM.73-1927). It was restored as a single object in the 1980s.


Object details

Categories
Object type
Titles
  • Shalabhanjika (generic title)
  • Yakshi (generic title)
Materials and techniques
Mottled Red Sandstone
Brief description
Part of rail pillar, sandstone, Mathura, early Kushan, 2nd century AD
Physical description
Part of a curving gateway (torana) bracket decorated with a shalabhanjika or yakshi holding a branch of a tree with long, lanceolate leaves. This is one half of the bracket which has a similar figure on the reverse ( IM.73-1927). It was formerly sliced in two before the museum acquired it, but is now rejoined. The figure is damaged having been cut off at the knees and she has also lost both hands and a portion of her left breast. Her hair is smoothed over her head with a shallow, oval bun at the front. She wears courtly jewellery, including ear-lobe ornaments, two bead necklaces and arm bangles from her wrists almost to her elbows. She also wears a belt round her hips made of over-lapping fish-scale-like segments with an elaborate central clasp. This belt secures a diaphanous skirt (antariya) which has a narrow girdle in front below her waist, which leaves the rest of her lower body nude. There is a looped sash shown behind her on her right and folds of the skirt are visible between her legs. This bracket belonged to a ceremonial gateway (torana) marking an entrance to a shrine, most probably a Buddhist or possibly a Jain stupa.
Dimensions
  • Height: 52.5cm (Note: IM.73-1927 forms part of one object with IM.72-1927. The measurements apply equally to both objects.)
  • Width: 24cm (Note: IM.73-1927 forms part of one object with IM.72-1927. The measurements apply equally to both objects.)
  • Depth: 18.5cm (Note: IM.73-1927 forms part of one object with IM.72-1927. The measurements apply equally to both objects.)
Content description
Buddhist or possibly Jain Salabhanjika or yakshi
Style
Object history
Purchased from Imre Schwaiger , with 73-1927 . The panel had been sawn into two pieces for purposes of display, but was re-joined in the 1980s.
Historical context
Reportedly from a Jain stupa, carved in mottled red sandstone. The panel forms one face of the upper half of the original pillar or bracket. The pillar was at some time split into two halves, the other face being I.M. 72-1927, but they are now reunited. The subject represents a guardian Yakshi (Vrikshaka) down to the knees. She stands with body conforming to the curve of the bracket, with her arm raised over her head to hold the branch of a flowering Ashoka-tree, whilst her right hand (broken away) rested on the rich girdle which encircles her hips. Each forearm is almost completely covered by thirteen bracelets, the ears have large jewelled earplugs and round the neck are two bead-necklaces. The figure is apparently nude, but the ridge across the stomach and the sash falling down her left side, indicate the skirt of transparent diaphanous muslin.
Production
Mathura, Uttar Pradesh, India
Subjects depicted
Summary
This double-sided pillar bracket relief was reportedly recovered from a Jain stupa (shrine) site at Mathura. Carved in mottled red sandstone, it represents Vrikshaka, a female nature-spirit guardian (yakshi).
She stands with her right arm raised over her head to hold the branch of a flowering Ashoka tree and is decked with courtly jewellery. Her left hand rests on the richly bejewelled girdle which she wears on her hips. Around her neck she wears two bead-necklaces, each forearm is covered with bracelets and her ears have large jewelled earplugs. The figure is seemingly naked. However, a ridge across the stomach and the sash falling down her left side indicate a skirt of transparent diaphanous fabric, perhaps a fine muslin.
At some point in its post-excavation history this relief was sawn into two. This enabled both faces to be exhibited and it was assigned two museum numbers (IM.72-1927 and IM.73-1927). It was restored as a single object in the 1980s.
Associated object
IM.72-1927 (Ensemble)
Bibliographic references
  • L'escultura en el temples indis : l'art de la devoció : exposició organitzada per la Fundació "La Caixa" i el Victoria & Albert Museum, Londres. [Barcelona: Obra social, Fundació "la Caixa", c2007 Number: 9788476649466 p.58, Cat.18
  • The art of India and Pakistan, a commemorative catalogue of the exhibition held at the Royal Academy of Arts, London, 1947-8. Edited by Sir Leigh Ashton. London: Faber and Faber, [1950] p. 28, cat. no. 60
  • Irwin, John C., Indian Art, Victoria and Albert Museum, London: H. M. Stationery Office, 1968 pl. 3
  • C. Stanley Clarke; Twelve Mogul Paintings of the School of Humaym (16th century) illustrating the Romance of Amir Hamzah, H.M.S.O. 1921
  • Irwin, John; Indian Art: Victoria & Albert Museum departmental guide, H.M.S.O. ISBN 0 905209117, 1978 fig. 1, pp. 4-5
  • Orientations; vol. 40. no. 4; May 2009; The Robert H.N. Ho Family Foundation Gallery, Victoria & Albert Museum. John Guy; Adoring the Stupa, Adoring the Buddha: Kushan Sculpture in the Victoria and Albert Museum p.45
  • Guy, John Indian temple sculpture . London: V&A Publications, 2007 p.18, pl.9
  • V&A . Small Picture Book No. 7, Indian Art Read,Herbert, Art and Society, Heinemann, London, 1937, Pl. 29.
Collection
Accession number
IM.73-1927

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Record createdFebruary 13, 2000
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