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The Deposition

Panel
early 14th century (made)
Artist/Maker
Place of origin

This ivory pax depicts The Deposition. In the middle the dead Christ is being taken from the cross by the bearded figure of Joseph of Arimathea in a short tunic.
Although the Crucifixion is the most common subject on ivory paxes (Koechlin lists eighteen examples), this is the only known Deposition.

A pax is a tablet or board, sometimes of silver, usually decorated with a Christian religious representation. A pax was used at the end of mass as part of the ‘Kiss of Peace’ ritual after the Angus Dei. First the priest would kiss the tablet, then the members of the congregation. England was precocious in introducing the pax, but references abound elsewhere from the beginning of the fourteenth century onwards. Paxes could be made from many materials, including wood, copper, silver and gold, as well as ivory.
The earliest, fourteenth-century, examples are invariably decorated with the Crucifixion, but the imagery rapidly diversified to take in other scenes connected with the Christ’s Passion and Sacrifice. By the fifteenth century the choice had expanded, with many scenes of the Virgin and Child.


Object details

Categories
Object type
TitleThe Deposition (generic title)
Materials and techniques
Elephant ivory
Brief description
Pax, panel, ivory, the Deposition, English, early fifteenth century
Physical description
The Deposition, ivory. In the middle the dead Christ is being taken from the cross by the bearded figure of Joseph of Arimathea in a short tunic. Christ's left hand is still attached to the cross. At the base of the cross a kneeling figure (Nicodemus) removes the nail from his feet with a pair of pincers; To the left stands the Virgin, who presses Christ's hand to her cheek, attended by two holy women, while to the right is St. John with a soldier, and behind, a third watching figure of a man. Arcading of three arches ornamented above with narrow panels of fluid tracery. Two large holes have been drilled in the background, another at the base of the Cross and two more in the upper corners. The ivory has become blotches in places. The bottom corners have been broken away and a long channel cut up the middle of the back possibly for a handle.
Dimensions
  • Height: 10.8cm
  • At top width: 7.7cm
Object history
Bought for £60 from Mallett & Sons, in 1932.
Subjects depicted
Summary
This ivory pax depicts The Deposition. In the middle the dead Christ is being taken from the cross by the bearded figure of Joseph of Arimathea in a short tunic.
Although the Crucifixion is the most common subject on ivory paxes (Koechlin lists eighteen examples), this is the only known Deposition.

A pax is a tablet or board, sometimes of silver, usually decorated with a Christian religious representation. A pax was used at the end of mass as part of the ‘Kiss of Peace’ ritual after the Angus Dei. First the priest would kiss the tablet, then the members of the congregation. England was precocious in introducing the pax, but references abound elsewhere from the beginning of the fourteenth century onwards. Paxes could be made from many materials, including wood, copper, silver and gold, as well as ivory.
The earliest, fourteenth-century, examples are invariably decorated with the Crucifixion, but the imagery rapidly diversified to take in other scenes connected with the Christ’s Passion and Sacrifice. By the fifteenth century the choice had expanded, with many scenes of the Virgin and Child.
Bibliographic references
  • Porter, D.A. Ivory Carving in Later Medieval England 1200-1400. State University of New York at Binghampton. PhD thesis. 1974.
  • Review [1911-1938], Victoria & Albert Museum. Review of the Principal Acquisitions during the Year, London, 1932, p. 9, fig. 10
  • Williamson, Paul and Davies, Glyn, Medieval Ivory Carvings, 1200-1550, (in 2 parts), V&A Publishing, Victoria and Albert Museum, London, 2014 part 1, pp. 396-397
  • Williamson, Paul and Davies, Glyn, Medieval Ivory Carvings, 1200-1550, (in 2 parts), V&A Publishing, Victoria and Albert Museum, London, 2014, part 1, pp. 396-397, cat. no. 138
Collection
Accession number
A.8-1932

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Record createdJune 15, 2009
Record URL
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