Image of Gallery in South Kensington
On display at V&A South Kensington
The Himalayas and South-East Asia, Room 47a

Descent of the Buddha from Tusita Heaven

Sculpture
8th century (made)
Artist/Maker
Place of origin

This is one of a rare group of miniature sculptures in ivory associated with Kashmir. It depicts the Buddha dressed in the robes of a monk (sanghati), surrounded by umbrella and garland bearers who celebrate his return from Tusita Heaven, the temporary abode of future buddhas . This is the sixth of the Eight Great Miracles (Devavatara) performed by the Buddha, and usually symbolised by the steps of the ladder on which he made his descent (not represented here). This relief probably formed the central panel in a triptych which would have been mounted in a painted wooden shrine following the conventions of 8th century Kashmiri architecture.


Object details

Categories
Object type
TitleDescent of the Buddha from Tusita Heaven (generic title)
Materials and techniques
Ivory, with traces of polychrome
Brief description
Buddha with attendants.
Physical description
This is one of a rare group of miniature sculptures in ivory associated with Kashmir. It depicts the Buddha dressed in the robes of a monk (sanghati), surrounded by umbrella and garland bearers who celebrate his return from Tusita Heaven, the temporary abode of future buddhas . This is the sixth of the Eight Great Miracles (Devavatara) performed by the Buddha, and usually symbolised by the steps of the ladder on which he made his descent (not represented here). This relief probably formed the central panel in a triptych which would have been mounted in a painted wooden shrine following the conventions of 8th century Kashmiri architecture.
Dimensions
  • Height: 6.3cm
  • Width: 4.5cm
  • Depth: 0.7cm
Gallery label
  • Two Buddha Images Karkota period These small images probably both came from personal shrines. The rare ivory sculpture shows the Buddha surrounded by umbrella and garland bearers who celebrate his return from Tusita Heaven, which he visited to preach to his deceased mother. The metal image, in its gestures and posture, follows the convention established in northern India over 400 years earlier. Kashmir 2. 700–800 Ivory with traces of paint Museum no. IS.8-1978 3. 800–1000 Bronze Museum no. IS.26-1966(14/06/2011)
Object history
Bought from Gerard Veenhuys, Switzerland.
Production
Kashmir,North India
Subject depicted
Bibliographic reference
PUBLISHED V.P.Dwivedi, in Chhavi, 1971, pp.322-26, figs.464-71- check S.Czuma, "A unique Addition to the School of Kashmiri Ivories", Bulletin of the Cleveland Museum of Art, Vol.75, No.8, 1988, fig 25.
Collection
Accession number
IS.8-1978

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Record createdFebruary 13, 2000
Record URL
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