We don’t have an image of this object online yet. V&A Images may have a photograph that we can’t show online, but it may be possible to supply one to you. Email us at vaimages@vam.ac.uk for guidance about fees and timescales, quoting the accession number: 1233:46-1882
Find out about our images

Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level C , Case GG, Shelf 138, Box C

The Deepot

Print
5/7/1830 (published)
Artist/Maker
Place of origin

Heath’s caricature takes Elizabeth Conyngham as its primary subject, placing the hugely rotund figure in the centre of the composition. Before a closet filled with an ermine-trimmed mantle, money bags, and various treasures, including jewels, framed miniatures, and boxes of diamonds, Conyngham stands with her back to the viewer, peering over her right shoulder. With a contemptuous frown, she states ‘Do you think I care for the opinions of any of you’.
Published only a few days after the death of King George IV, Heath’s caricature references the scandal surrounding the King’s bequest. Following his death, he bequeathed Conyngham his jewels, which proved to be a rather controversial event. Conyngham, however, refused the bequest, yet caricatures such as this were still produced.


Object details

Categories
Object type
TitleThe Deepot (published title)
Materials and techniques
printer's ink, paper, etching
Brief description
Etched caricature, with hand colouring, of Elizabeth Conyngham standing before a closet of treasure.
Physical description
Etched cariacture, with hand colouring, of Elizabeth Conyngham, standing with her back to the viewer, and looking back over her right shoulder. She stands between open curtains, and before shelves of treasure. The image is set within a yellow and grey border.
Dimensions
  • Image height: 320mm
  • Image width: 222mm
  • Plate height: 374mm
  • Plate width: 262mm
  • Sheet height: 436mm
  • Sheet width: 294mm
Content description
Lady Conyngham, standing with her back to the viewer, peers over her right shoulder, with an expression of contempt upon her face. Depicted as an extremely rotund woman, Conyngham's large, pink gown, trimmed with fur around the bust and shoulders, exaggerates her size. Her curly, blonde hair is adorned with some form of tiara. Conyngham stands between green curtains, open to reveal shelves of treasure. Along the upper shelf, five money bags are visible, each of which is inscribed with '£100,000'. Lining the other shelves are various jewels, ornaments, boxes, and framed miniatures, including a box of diamonds from the jewellers Rundell and Bridge. Hanging to the left is purple, ermine trimmed mantle.
Style
Marks and inscriptions
  • The Deepôt (Title inscribed below image in border)
  • William Heath (Printmaker's name inscribed in lower left corner of border)
  • Pub July 5, 1830 by T McLean 26 Haymarket_ (Publication line inscribed in lower right corner of border)
  • What piles of wealth hath she accumulated to her own portion (Inscribed above image within border)
  • Do you think I care for the opinions of any of you (Speech of sitter inscribed towards top of image)
  • £100-000 (Inscribed on each of the five money bags depicted on the top shelf)
  • DIAMONDS - Rundle & Bridge (Inscribed on the box on the lower shelf to the left. Rundell and Bridge were a London based jewellers and goldsmiths, and served as Royal Goldsmiths to George IV.)
Credit line
Bequeathed by John Jones
Subject depicted
Association
Summary
Heath’s caricature takes Elizabeth Conyngham as its primary subject, placing the hugely rotund figure in the centre of the composition. Before a closet filled with an ermine-trimmed mantle, money bags, and various treasures, including jewels, framed miniatures, and boxes of diamonds, Conyngham stands with her back to the viewer, peering over her right shoulder. With a contemptuous frown, she states ‘Do you think I care for the opinions of any of you’.
Published only a few days after the death of King George IV, Heath’s caricature references the scandal surrounding the King’s bequest. Following his death, he bequeathed Conyngham his jewels, which proved to be a rather controversial event. Conyngham, however, refused the bequest, yet caricatures such as this were still produced.
Bibliographic reference
BM Satires 16157
Collection
Accession number
1233:46-1882

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJune 8, 2009
Record URL
Download as: JSON