Image of Gallery in South Kensington
On display at V&A South Kensington
The Himalayas and South-East Asia, Room 47a

Agastya

Sculpture
ca. 10th century (made)
Artist/Maker
Place of origin

A relief carving shows the sage Agastya set standing frontal against a plain back slab with an arched top that comes to a point above the sage's headdress. He stands barefoot on a plain projecting base. His arms hang down by his sides and he holds a water pot in his left hand and a rosary in his right. His face is partly damaged with an abraded nose and lips. He is shown with twisted locks piled high on his head above a beaded headband. A fat twisted ringlet hangs down on either side of each shoulder. He has down cast eyes and a drooping moustache which hangs down over the twisted tresses of his beard which are looped and bound in under his chin. He has long ears with stretched holes, but no earrings. He is ornamented otherwise with a pointed torque round his neck, elaborate armbands on his upper arms, and beaded bracelets on his wrists and ankles. Other than this his torso is bare, except for a broad sash which is draped over his left shoulder and looped across his chest. A roll of fat lies under his chest above the protuberance of his rounded belly which overhangs his dhoti. This is folded over at the top edge and held in place by a segmented belt underneath which a girdle is wound twice round his body.


Object details

Categories
Object type
TitleAgastya (generic title)
Materials and techniques
stone
Brief description
Stone sculpture of the sage Agastya, Central Java, Indonesia, ca. 10th century
Physical description
A relief carving shows the sage Agastya set standing frontal against a plain back slab with an arched top that comes to a point above the sage's headdress. He stands barefoot on a plain projecting base. His arms hang down by his sides and he holds a water pot in his left hand and a rosary in his right. His face is partly damaged with an abraded nose and lips. He is shown with twisted locks piled high on his head above a beaded headband. A fat twisted ringlet hangs down on either side of each shoulder. He has down cast eyes and a drooping moustache which hangs down over the twisted tresses of his beard which are looped and bound in under his chin. He has long ears with stretched holes, but no earrings. He is ornamented otherwise with a pointed torque round his neck, elaborate armbands on his upper arms, and beaded bracelets on his wrists and ankles. Other than this his torso is bare, except for a broad sash which is draped over his left shoulder and looped across his chest. A roll of fat lies under his chest above the protuberance of his rounded belly which overhangs his dhoti. This is folded over at the top edge and held in place by a segmented belt underneath which a girdle is wound twice round his body.
Dimensions
  • Height: 94cm
  • Width: 43.2cm
  • Depth: 26.7cm
Gallery label
Agastya 900–1000 Agastya was a famous yogi who by his devotion to Shiva attained the same form as his god. He is recognisable by his bearded, corpulent figure and by the rosary and watervessel that he holds. Agastya was worshipped in southern India and his cult was established in Java by at least the 7th century. Volcanic stone Indonesia (Central Java) Museum no. IS.1-1968(14/06/2011)
Object history
Bought from William Clayton Ltd.
Historical context
Agastya was a great yogi who, by his devotion to Shiva, attained swarupya or the same form as his god. He is represented in Shiva's ascetic form and is recognisable by his corpulent figure and bearing, together with the rosary and water vessel (kundika) which he holds. Agastya acquired the status of a lesser deity and was widely worshipped in south India. The cult appears to have been established in Java by at least the 7th century. An 8th-century inscription in one of the earliest Hindu temples in central Java indicates that it was associated with both Shiva and Agastya. He is variously known in Java as Shiva-guru and Bhatara (Bhattaraka Guru).

Broad sashes are not a common feature in stone images. They are though seen in the narrative panels at Borobudur (Girard-Gislan et al). The copper alloy figure of Avolokitesvara from Sragen in Central Java (thought to date from the 11th century) in the National Museum at Jakarta (inventory no. 7515) also is shown with a sash across his chest. See also the figure of Agastya from Chandi Banon also in the Museum at Jakarta, illustrated in Bernet Kempers (plate 41) who is shown with a sacred thread as well as a sash.
Bibliographic reference
Bernet Kempers, A.J., Ancient Indonesian Art, C.P.J.Van Der Peet, Amsterdam, 1959
Collection
Accession number
IS.1-1968

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Record createdFebruary 13, 2000
Record URL
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