Tray
1989 (made)
Artist/Maker | |
Place of origin |
Murayama joined the Kuroda workshop in 1966 shortly after completing a degree in wood sculpture at Kyoto City University of Arts. A member of the Japan Crafts Association since 1971, he works in Uji in the southern outskirts of Kyoto. In his preference for strong and dignified forms and in his concern to unveil and give voice to the innermost qualities of his materials he owes much to his teacher's example. At the same time, however, he exerts sensitivities that are very much his own in his insistence on the importance of wood - both a manifestation of and a metaphor for nature and the organic - in the increasingly mechanized environment of late twentieth century Japan. Murayama was designated an Important Intangible Cultural Property (Living National Treasure) in 2003.
Object details
Category | |
Object type | |
Parts | This object consists of 2 parts.
|
Materials and techniques | Wood, carved, with clear lacquer finish |
Brief description | Japan, modern crafts, studio, wood; Japan, modern crafts, studio, lacquer; Murayama Akira |
Physical description | Box: Wood box |
Dimensions |
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Style | |
Marks and inscriptions | Maker's mark in black on base |
Gallery label | Tray
1989
Murayama is famous for the monumentality of his carved wooden forms. He combines supreme craftsmanship with a highly developed sensitivity to the qualities of the timber he uses. The clear lacquer finish both protects the surface of the wood and enhances its grain.
Murayama Akira (born 1944)
Kyoto
Zelkova wood covered in clear lacquer (fuki-urushi)
Museum no. FE.35-1989
(09/2017) |
Object history | Purchased from the maker |
Production | Artist: Murayama Akira Biographical reference: ** Uji, Kyoto, JAPAN |
Summary | Murayama joined the Kuroda workshop in 1966 shortly after completing a degree in wood sculpture at Kyoto City University of Arts. A member of the Japan Crafts Association since 1971, he works in Uji in the southern outskirts of Kyoto. In his preference for strong and dignified forms and in his concern to unveil and give voice to the innermost qualities of his materials he owes much to his teacher's example. At the same time, however, he exerts sensitivities that are very much his own in his insistence on the importance of wood - both a manifestation of and a metaphor for nature and the organic - in the increasingly mechanized environment of late twentieth century Japan. Murayama was designated an Important Intangible Cultural Property (Living National Treasure) in 2003. |
Collection | |
Accession number | FE.35-1989 |
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Record created | February 12, 2000 |
Record URL |
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