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Painted photograph of a tile design for the Grill Room, South Kensington Museum

  • Object:

    Painted photograph

  • Place of origin:

    South Kensington (probably, made)

  • Date:

    1868-1885 (made)

  • Artist/Maker:

    Williamson, J. Ireland (painter (artist))
    Poynter, Edward John (Sir), born 1836 - died 1919 (designer)

  • Materials and Techniques:

    Salted paper print (probably), overpainted in watercolour

  • Museum number:


  • Gallery location:

    Prints & Drawings Study Room, level D, case C, shelf 117

Physical description

Blue and white painted photograph of a roundel design for tiles. The ancient Greek courtesan Rhodopis is depicted in an Egyptian loggia or similar setting. She reclines on a daybed, her dress trailing on the floor. Propped up on one elbow, she contemplates a necklace which she holds up to her face. Various personal effects lie before her on the floor. Behind her, highly decorated columns give way to an open-air view of vegetation and, beyond, a pyramid. A blue border encloses the composition. Some brushstrokes of blue watercolour in the lower margin of the paper.

Place of Origin

South Kensington (probably, made)


1868-1885 (made)


Williamson, J. Ireland (painter (artist))
Poynter, Edward John (Sir), born 1836 - died 1919 (designer)

Materials and Techniques

Salted paper print (probably), overpainted in watercolour


Height: 24.7 cm of paper maximum, Width: 24.7 cm of paper maximum, Diameter: 20.1 cm of image approx.

Object history note

E. J. Poynter was invited to tender for the decoration of the Grill Room in November 1865. Many of Poynter's original dado tile designs for the Grill Room - including that which is reproduced in this painted photograph (Museum object number 1120:4) - are signed with his monogram 'EJP' and the date 1868. In this painted photograph, however, the monogram has been effaced, presumably to indicate that the object is a copy after Poynter rather than an original design by him. It is not clear when exactly J. Ireland Williamson's painted photographs of the Grill Room tile designs were made, but this particular example was received by the Museum in March 1885. Judging from the Seventeenth Report of the Science and Art Department, the actual dado tiles for the Grill Room were all installed by the end of 1869 at the latest.

Descriptive line

Painted photograph of an E. J. Poynter dado tile design for the Grill Room, South Kensington Museum: 1 of 11 classical female figure subjects (Rhodopis). 1868-1885.

Bibliographic References (Citation, Note/Abstract, NAL no)

Seventeenth Report of the Science and Art Department. London: printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1870
p. 455
Fineman, Mia. Faking It: Manipulated Photography Before Photoshop. New York: Metropolitan Museum of Art, 2012
p. 217
Physick, John. The Victoria and Albert Museum: The History of Its Building. London: The Victoria & Albert Museum, 1982
pp. 139-141; figs. 153-156; pls. XXVII-XXIX
Sheppard, F. H. W. (general ed.). Survey of London, vol. XXXVIII: The Museums Area of South Kensington and Westminster. London: Athlone Press, University of London, 1975
p. 111 and pl. 15

Production Note

This object is probably a salted paper print. According to Mark Haworth-Booth, nineteenth-century photographs made using salted paper were ideal for overpainting because of their matte surface; colour photography only became commercially available in the early twentieth century.


Watercolour; Salted paper


Salted paper processes; Watercolour painting

Subjects depicted

Courtesan; Pyramid (tomb); Wall tile


History of the V&A; Ceramics; Copies and Facsimilies; Delftware; Designs; Interiors; National Art Training School; Photographs; Tiles; Myths & Legends


Prints, Drawings & Paintings Collection

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