Bottle thumbnail 1
Bottle thumbnail 2
+2
images
Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 145

Bottle

about 1935 (made)
Artist/Maker
Place of origin

Hamada Shoji (1894-1978) was one of the leading potters of the Japanese Mingei (Folk Craft) movement. He was closely associated both with Yanagi Soetsu (1889-1961), the philosopher-critic on whose theories the movement was founded, and the pioneer English studio potter Bernard Leach (1887-1979), whom he helped establish the Leach Pottery in St Ives, Cornwall, during the early 1920s.

The Mingei movement developed in early twentieth-century Japan as a social and aesthetic crusade. It held ideas in common with the English Arts and Crafts theorists John Ruskin and William Morris about the value of hand-work and the negative effects of industrialisation and mass production. It actively sought to save and revive Japanese folk-craft traditions, which were becoming sidelined due to the forces of modernisation and urbanisation, and was part of a broader cultural movment in which Japan sought to articulate and assert a sense of national identity in the face of burgeoning westernisation.


Object details

Categories
Object type
Materials and techniques
Iron slip covered stoneware with slip-trailed decoration under a clear glaze
Brief description
Bottle, iron slip covered stoneware with slip-trailed decoration under a clear glaze; made by Hamada Shoji, Japan (Mashiko), about 1935
Physical description
Vase of stoneware, pear-shaped with narrow neck and broad high foot. Decorated with stylised plants and characters in freely applied slip.
Dimensions
  • Height: 35.0cm
  • Width: 20.3cm
  • Diameter: 20.6cm
Style
Gallery label
Vase Iron slip covered stoneware with slip-trailed decoration under a clear glaze By Hamada Shoji JAPANESE; c.1935 C.33-1943 Given by the Contemporary Arts Society(as at 2005)
Credit line
Given by the Contemporary Art Society through Ernest Marsh
Production
Artist: Hamada Shoji (1894 - 1978)
Biographical reference: L. P. Roberts, 'A Dictionary of Japanese Artists' (Tokyo/New York, 1976), p.38: Gisela Jahn and Anette Petersen-Brandhorst, 'Erde und Feuer', Deutsches Museum (Munich, 1984), pp.198 - 199
Mashiko, Tochigi-ken, JAPAN
Summary
Hamada Shoji (1894-1978) was one of the leading potters of the Japanese Mingei (Folk Craft) movement. He was closely associated both with Yanagi Soetsu (1889-1961), the philosopher-critic on whose theories the movement was founded, and the pioneer English studio potter Bernard Leach (1887-1979), whom he helped establish the Leach Pottery in St Ives, Cornwall, during the early 1920s.

The Mingei movement developed in early twentieth-century Japan as a social and aesthetic crusade. It held ideas in common with the English Arts and Crafts theorists John Ruskin and William Morris about the value of hand-work and the negative effects of industrialisation and mass production. It actively sought to save and revive Japanese folk-craft traditions, which were becoming sidelined due to the forces of modernisation and urbanisation, and was part of a broader cultural movment in which Japan sought to articulate and assert a sense of national identity in the face of burgeoning westernisation.
Bibliographic reference
Contemporary Arts Society catalogue no. 33 'Retrospective Exhibition of Shoji Hamada', National Museum of Modern Art (Tokyo, 1977)
Collection
Accession number
C.33-1943

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Record createdFebruary 12, 2000
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