Bottle
about 1935 (made)
Artist/Maker | |
Place of origin |
Hamada Shoji (1894-1978) was one of the leading potters of the Japanese Mingei (Folk Craft) movement. He was closely associated both with Yanagi Soetsu (1889-1961), the philosopher-critic on whose theories the movement was founded, and the pioneer English studio potter Bernard Leach (1887-1979), whom he helped establish the Leach Pottery in St Ives, Cornwall, during the early 1920s.
The Mingei movement developed in early twentieth-century Japan as a social and aesthetic crusade. It held ideas in common with the English Arts and Crafts theorists John Ruskin and William Morris about the value of hand-work and the negative effects of industrialisation and mass production. It actively sought to save and revive Japanese folk-craft traditions, which were becoming sidelined due to the forces of modernisation and urbanisation, and was part of a broader cultural movment in which Japan sought to articulate and assert a sense of national identity in the face of burgeoning westernisation.
The Mingei movement developed in early twentieth-century Japan as a social and aesthetic crusade. It held ideas in common with the English Arts and Crafts theorists John Ruskin and William Morris about the value of hand-work and the negative effects of industrialisation and mass production. It actively sought to save and revive Japanese folk-craft traditions, which were becoming sidelined due to the forces of modernisation and urbanisation, and was part of a broader cultural movment in which Japan sought to articulate and assert a sense of national identity in the face of burgeoning westernisation.
Object details
Categories | |
Object type | |
Materials and techniques | Iron slip covered stoneware with slip-trailed decoration under a clear glaze |
Brief description | Bottle, iron slip covered stoneware with slip-trailed decoration under a clear glaze; made by Hamada Shoji, Japan (Mashiko), about 1935 |
Physical description | Vase of stoneware, pear-shaped with narrow neck and broad high foot. Decorated with stylised plants and characters in freely applied slip. |
Dimensions |
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Style | |
Gallery label | Vase
Iron slip covered stoneware with slip-trailed decoration under a clear glaze
By Hamada Shoji
JAPANESE; c.1935
C.33-1943
Given by the Contemporary Arts Society(as at 2005) |
Credit line | Given by the Contemporary Art Society through Ernest Marsh |
Production | Artist: Hamada Shoji (1894 - 1978) Biographical reference: L. P. Roberts, 'A Dictionary of Japanese Artists' (Tokyo/New York, 1976), p.38: Gisela Jahn and Anette Petersen-Brandhorst, 'Erde und Feuer', Deutsches Museum (Munich, 1984), pp.198 - 199 Mashiko, Tochigi-ken, JAPAN |
Summary | Hamada Shoji (1894-1978) was one of the leading potters of the Japanese Mingei (Folk Craft) movement. He was closely associated both with Yanagi Soetsu (1889-1961), the philosopher-critic on whose theories the movement was founded, and the pioneer English studio potter Bernard Leach (1887-1979), whom he helped establish the Leach Pottery in St Ives, Cornwall, during the early 1920s. The Mingei movement developed in early twentieth-century Japan as a social and aesthetic crusade. It held ideas in common with the English Arts and Crafts theorists John Ruskin and William Morris about the value of hand-work and the negative effects of industrialisation and mass production. It actively sought to save and revive Japanese folk-craft traditions, which were becoming sidelined due to the forces of modernisation and urbanisation, and was part of a broader cultural movment in which Japan sought to articulate and assert a sense of national identity in the face of burgeoning westernisation. |
Bibliographic reference | Contemporary Arts Society catalogue no. 33
'Retrospective Exhibition of Shoji Hamada', National Museum of Modern Art (Tokyo, 1977) |
Collection | |
Accession number | C.33-1943 |
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Record created | February 12, 2000 |
Record URL |
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