Jug
ca. 1935 (made)
Artist/Maker | |
Place of origin |
Hamada Shoji (1894-1978) was one of the leading potters of the Japanese Mingei (Folk Craft) movement. He was closely associated both with Yanagi Soetsu (1889-1961), the philosopher-critic on whose theories the movement was founded, and the pioneer English studio potter Bernard Leach (1887-1979), whom he helped establish the Leach Pottery in St Ives, Cornwall, during the early 1920s.
The Mingei movement developed in early twentieth-century Japan as a social and aesthetic crusade. It held ideas in common with the English Arts and Crafts theorists John Ruskin and William Morris about the value of hand-work and the negative effects of industrialisation and mass production. It actively sought to save and revive Japanese folk-craft traditions, which were becoming sidelined due to the forces of modernisation and urbanisation, and was part of a broader cultural movement in which Japan sought to articulate and assert a sense of national identity in the face of burgeoning westernisation.
The Mingei movement developed in early twentieth-century Japan as a social and aesthetic crusade. It held ideas in common with the English Arts and Crafts theorists John Ruskin and William Morris about the value of hand-work and the negative effects of industrialisation and mass production. It actively sought to save and revive Japanese folk-craft traditions, which were becoming sidelined due to the forces of modernisation and urbanisation, and was part of a broader cultural movement in which Japan sought to articulate and assert a sense of national identity in the face of burgeoning westernisation.
Object details
Categories | |
Object type | |
Materials and techniques | Stoneware with brown tenmoku glaze |
Brief description | Japan, modern crafts, studio, ceramics; Hamada |
Physical description | Decoration: Spray on each side |
Dimensions |
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Style | |
Credit line | Given by the Contemporary Art Society through Ernest Marsh |
Production | Biographical reference: L. P. Roberts 'Dictionary of Japanese Artists' (New York/Tokyo, 1976), p. 38: Gisela Jahn and Anette Petersen Brandhorst, 'Erde und Feuer', Deutsches Museum (Munich, 1984), pp. 198 - 199 Mashiko, Tochigi-ken, JAPAN |
Summary | Hamada Shoji (1894-1978) was one of the leading potters of the Japanese Mingei (Folk Craft) movement. He was closely associated both with Yanagi Soetsu (1889-1961), the philosopher-critic on whose theories the movement was founded, and the pioneer English studio potter Bernard Leach (1887-1979), whom he helped establish the Leach Pottery in St Ives, Cornwall, during the early 1920s. The Mingei movement developed in early twentieth-century Japan as a social and aesthetic crusade. It held ideas in common with the English Arts and Crafts theorists John Ruskin and William Morris about the value of hand-work and the negative effects of industrialisation and mass production. It actively sought to save and revive Japanese folk-craft traditions, which were becoming sidelined due to the forces of modernisation and urbanisation, and was part of a broader cultural movement in which Japan sought to articulate and assert a sense of national identity in the face of burgeoning westernisation. |
Bibliographic reference | Contemporary Arts Society catalogue no.147
'Retrospective Exhibition of Shoji Hamada', National Museum of Modern Art (Tokyo, 19770 |
Collection | |
Accession number | C.209-1939 |
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Record created | February 12, 2000 |
Record URL |
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