Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 142, The Lydia and Manfred Gorvy Gallery

Jar and Cover

1986 (made)
Artist/Maker
Place of origin

Miura Koheiji is one of Japan's leading makers of celadon wares. The bluish-green glaze and widely spaced brown crackle on this lidded jar are inspired by the guan (official) wares created for the imperial court in China in the Southern Song period (11278-1279). The globular shape of the jar is a perfect vehicle for the softly textured glaze. Miura's work is rarely without a touch of playfulness, seen here in the donkey-shaped knob which is based on sketches made during a trip to Central Asia.


Object details

Categories
Object type
Parts
This object consists of 2 parts.

  • Jar
  • Lid
Materials and techniques
Stoneware, thrown and modelled, with crackled celadon glaze
Brief description
Jar, stoneware, with crackled celedon glaze, by Miura Koheiji, Tokyo, Japan 1986.
Physical description
Globular jar with foliated lid surmounted by a small modelled donkey;crackled celadon glaze with brown staining in cracks
Dimensions
  • Height: 27.7cm
Style
Gallery label
COVERED JAR WITH DONKEY-SHAPED KNOB Stoneware with celadon glaze Maker's mark incised on base Miura Koheiji (born 1933) 1986 FE.15-1956 Miura Koheiji studied sculpture at the Tokyo National University of Fine Arts. Typically this jar combines a perfect celadon glaze on a slightly out of balance shape. The small donkey is inspired by the artist's travels in Afghanistan. This acquisition was made possible through the generosity of Madame Tomo Kikuchi
Production
Biographical reference: 'Japanese Ceramics Today' (V&A, 1983) p.126.
Tokyo
Summary
Miura Koheiji is one of Japan's leading makers of celadon wares. The bluish-green glaze and widely spaced brown crackle on this lidded jar are inspired by the guan (official) wares created for the imperial court in China in the Southern Song period (11278-1279). The globular shape of the jar is a perfect vehicle for the softly textured glaze. Miura's work is rarely without a touch of playfulness, seen here in the donkey-shaped knob which is based on sketches made during a trip to Central Asia.
Associated object
Bibliographic reference
Japanese Ceramics Today (V&A, 1983) p.126.
Collection
Accession number
FE.15A&B-1986

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Record createdFebruary 12, 2000
Record URL
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