Untitled Sculpture
Sculpture
1988 (made)
1988 (made)
Artist/Maker | |
Place of origin |
The example of Hayashi's work shown here is of a type with which he began experimenting in the early 1980s. It was hand-built with the aid of a mould from slightly open-textured stoneware clay before being totally covered in black slip. A series of operations involving the masking out of areas of the slip covering and the spraying on of glaze by air-gun was then used to build up the illusionistic surface patterning. While this particular piece consists of an upright half-cylinder sitting on a flat elliptical base, most of Hayashi's recent sculptures are more severely angular in form. In all cases, however, they are remarkable for the way in which real and suggested depth are used to produce complex, often multi-layered, three-dimensional structures.
Object details
Categories | |
Object type | |
Title | Untitled Sculpture (generic title) |
Materials and techniques | Stoneware with black slip and resist-applied clear glaze |
Brief description | Sculpture, stoneware with black slip and resist-applied clear glaze, made by Hayashi Yasuo, Japan (Kyoto), 1988 |
Physical description | Sculpture, flat elliptical base supporting semi-cylindrical upright section with undulating flat surface to the front; rounded top sloping towards front. Hollow form made from slightly open-textured stoneware clay. Box: Wooden box |
Dimensions |
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Style | |
Marks and inscriptions | Maker's mark 'Yasuo' and date 1988 on base |
Production | Artist: Hayashi Yasuo (1928- ) Biographical reference: ** Kyoto |
Summary | The example of Hayashi's work shown here is of a type with which he began experimenting in the early 1980s. It was hand-built with the aid of a mould from slightly open-textured stoneware clay before being totally covered in black slip. A series of operations involving the masking out of areas of the slip covering and the spraying on of glaze by air-gun was then used to build up the illusionistic surface patterning. While this particular piece consists of an upright half-cylinder sitting on a flat elliptical base, most of Hayashi's recent sculptures are more severely angular in form. In all cases, however, they are remarkable for the way in which real and suggested depth are used to produce complex, often multi-layered, three-dimensional structures. |
Bibliographic reference | Faulker, Rupert Japanese Studio Crafts: Tradition and the Avant-Garde, London: Laurence King Publishing, 1995, plate no. 27. |
Collection | |
Accession number | FE.2-1989 |
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Record created | February 12, 2000 |
Record URL |
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