Vase thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 142, The Lydia and Manfred Gorvy Gallery

Vase

1931 (made)
Artist/Maker
Place of origin

Hamada Shoji (1894-1978) was one of the leading potters of the Japanese Mingei (Folk Craft) movement. He was closely associated both with Yanagi Soetsu (1889-1961), the philosopher-critic on whose theories the movement was founded, and the pioneer English studio potter Bernard Leach (1887-1979), whom he helped establish the Leach Pottery in St Ives, Cornwall, during the early 1920s.

The Mingei movement developed in early twentieth-century Japan as a social and aesthetic crusade. It held ideas in common with the English Arts and Crafts theorists John Ruskin and William Morris about the value of hand-work and the negative effects of industrialisation and mass production. It actively sought to save and revive Japanese folk-craft traditions, which were becoming sidelined due to the forces of modernisation and urbanisation, and was part of a broader cultural movment in which Japan sought to articulate and assert a sense of national identity in the face of burgeoning westernisation.


Object details

Categories
Object type
Materials and techniques
Stoneware, thrown, with wax resist decoration against a thinly glazed brown ground
Brief description
Vase, stoneware with wax resist decoration against a thinly glazed brown ground, made by Hamada Shoji, Mashiko, Japan, 1931
Physical description
Stoneware vase with an oval body and a short, thin neck. Decorated with a wax resist design of leaves and stems against a thinly glazed brown ground. Made by Hamada Shoji.
Dimensions
  • Height: 38.7cm
  • Width: 17.8cm
Style
Gallery label
Vase Stoneware with clear ash glaze, wax-resist decoration and a secondary iron-bearing glaze By Hamada Shoji JAPANESE; 1931 Circ.349-1939 Given by the Contemporary Arts Society(as at 2005)
Credit line
Given by the Contemporary Art Society
Production
Artist: Hamada Shoji (1894-1978)
Biographical reference: L.P. Roberts, 'Dictionary of Japanese Artists' (New York/Tokyo, 1976), p.38: Gisela Jahn and Anette Petersen-Brandhorst, 'Erde und Feuer', Deutsches Museum (Munich, 1984), pp.198 - 199
JAPAN
Subject depicted
Summary
Hamada Shoji (1894-1978) was one of the leading potters of the Japanese Mingei (Folk Craft) movement. He was closely associated both with Yanagi Soetsu (1889-1961), the philosopher-critic on whose theories the movement was founded, and the pioneer English studio potter Bernard Leach (1887-1979), whom he helped establish the Leach Pottery in St Ives, Cornwall, during the early 1920s.

The Mingei movement developed in early twentieth-century Japan as a social and aesthetic crusade. It held ideas in common with the English Arts and Crafts theorists John Ruskin and William Morris about the value of hand-work and the negative effects of industrialisation and mass production. It actively sought to save and revive Japanese folk-craft traditions, which were becoming sidelined due to the forces of modernisation and urbanisation, and was part of a broader cultural movment in which Japan sought to articulate and assert a sense of national identity in the face of burgeoning westernisation.
Bibliographic reference
'Retrospective Exhibition of Shoji Hamada', National Museum of modern art (Tokyo, 1977)
Collection
Accession number
CIRC.349-1939

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdFebruary 12, 2000
Record URL
Download as: JSON