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Triumphal entry of Alexander the Great into Babylon

Frieze
ca. 1850 - ca. 1901 (made)
Artist/Maker
Place of origin

This is one of three sections of an electrotype copy of a frieze acquired in 1901, made by Charles V. Walker after an original by Bertel Thorvaldsen. It depicts the Triumphal entry of Alexander the Great into Babylon and showns three Babylonian warriors each holding a spear and one also holding a shield. It is a copy of an original stucco frieze, 32 metres in length, ordered by Napoleon I in 1813 for a room in the Palazzo Qurinale at Rome. Marble versions also exist in the Villa Carlotta at Cadeabbia on Lake Como and in the Christiansborg Palace, Copenhagen. This portion represents Alexander in a quadringa driven by Victory.

There is no information to be found so far about the sculptor Walker,active about 1850 - 1901, who is presumably the maker of the electrotypes.

Thorvaldsen (1768/70 – 1844) was a Danish sculptor and collector, who was active in Italy. He spent most of his working life in Rome, where he followed Antonio Canova to become the foremost Neo-classical sculptor. His fame and reputation led to commissions from public and private patrons in many countries. He had a large and well-organized studio and a collection of contemporary paintings, which was probably the finest in 19th-century Rome and, together with many of his sculptures, is now housed in the Thorvaldsens Museum, Copenhagen. In the decades after his death, the interest in Neo-classicism declined and with this also his reputation. It took until the mid-20th century that his art was re-evaluated.


Object details

Categories
Object type
TitleTriumphal entry of Alexander the Great into Babylon (generic title)
Materials and techniques
Electrotype copy in relief
Brief description
Part of a frieze, relief, electrotype reproduction, Triumphal entry of Alexander the Great into Babylon, made by Charles V. Walker, after an original by Bertel Thorwaldsen, Great Britain, ca. 1850-1901
Physical description
Electrotype copy of part of the frieze representing the Triumphal Entry of Alexander the Great into Babylon. This portion represents Alexander in a quadriga driven by Victory. Stamped.
Dimensions
  • Height: 60cm
  • Width: 101.5cm
Marks and inscriptions
'ELECTROTYPED/FOR THE/MUSEUM OF ECONOMIC GEOLOGY' (stamped in the bottom left hand corner)
Object history
Transferred from the Museum of Practical Geology, Jermyn Street, London. together with Mus. Nos. 5680 and 5681-1901. According to Museum records, the Committee met and recommended their transfer in 1901. Included in this suggested transfer were several electrotypes and castings, which had hung on the wall of the Museum.
Subjects depicted
Association
Summary
This is one of three sections of an electrotype copy of a frieze acquired in 1901, made by Charles V. Walker after an original by Bertel Thorvaldsen. It depicts the Triumphal entry of Alexander the Great into Babylon and showns three Babylonian warriors each holding a spear and one also holding a shield. It is a copy of an original stucco frieze, 32 metres in length, ordered by Napoleon I in 1813 for a room in the Palazzo Qurinale at Rome. Marble versions also exist in the Villa Carlotta at Cadeabbia on Lake Como and in the Christiansborg Palace, Copenhagen. This portion represents Alexander in a quadringa driven by Victory.

There is no information to be found so far about the sculptor Walker,active about 1850 - 1901, who is presumably the maker of the electrotypes.

Thorvaldsen (1768/70 – 1844) was a Danish sculptor and collector, who was active in Italy. He spent most of his working life in Rome, where he followed Antonio Canova to become the foremost Neo-classical sculptor. His fame and reputation led to commissions from public and private patrons in many countries. He had a large and well-organized studio and a collection of contemporary paintings, which was probably the finest in 19th-century Rome and, together with many of his sculptures, is now housed in the Thorvaldsens Museum, Copenhagen. In the decades after his death, the interest in Neo-classicism declined and with this also his reputation. It took until the mid-20th century that his art was re-evaluated.
Associated objects
Bibliographic references
  • List of Works of Art acquired by the Victoria and Albert Museum during the Year 1901. Jermyn Street Collection. Part IV, London: Her Majesty's Stationary Office, Wyman and Sons, 1909, pp. 141
  • Bilbey, Diane with Trusted, Marjorie. British Sculpture 1470 to 2000. A Concise Catalogue of the Collection at the Victoria and Albert Museum. London: V& A Publications, 2002. pp.424. cat. no. 696
Collection
Accession number
5680-1901

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Record createdMay 29, 2009
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