Triumphal entry of Alexander the Great into Babylon
Frieze
ca. 1850 - ca. 1901 (made)
ca. 1850 - ca. 1901 (made)
Artist/Maker | |
Place of origin |
This is one of three sections of an electrotype copy of a frieze acquired in 1901, made by Charles V. Walker after an original by Bertel Thorvaldsen. It depicts the Triumphal entry of Alexander the Great into Babylon and showns three Babylonian warriors each holding a spear and one also holding a shield. It is a copy of an original stucco frieze, 32 metres in length, ordered by Napoleon I in 1813 for a room in the Palazzo Qurinale at Rome. Marble versions also exist in the Villa Carlotta at Cadeabbia on Lake Como and in the Christiansborg Palace, Copenhagen. This portion represents Alexander in a quadringa driven by Victory.
There is no information to be found so far about the sculptor Walker,active about 1850 - 1901, who is presumably the maker of the electrotypes.
Thorvaldsen (1768/70 – 1844) was a Danish sculptor and collector, who was active in Italy. He spent most of his working life in Rome, where he followed Antonio Canova to become the foremost Neo-classical sculptor. His fame and reputation led to commissions from public and private patrons in many countries. He had a large and well-organized studio and a collection of contemporary paintings, which was probably the finest in 19th-century Rome and, together with many of his sculptures, is now housed in the Thorvaldsens Museum, Copenhagen. In the decades after his death, the interest in Neo-classicism declined and with this also his reputation. It took until the mid-20th century that his art was re-evaluated.
There is no information to be found so far about the sculptor Walker,active about 1850 - 1901, who is presumably the maker of the electrotypes.
Thorvaldsen (1768/70 – 1844) was a Danish sculptor and collector, who was active in Italy. He spent most of his working life in Rome, where he followed Antonio Canova to become the foremost Neo-classical sculptor. His fame and reputation led to commissions from public and private patrons in many countries. He had a large and well-organized studio and a collection of contemporary paintings, which was probably the finest in 19th-century Rome and, together with many of his sculptures, is now housed in the Thorvaldsens Museum, Copenhagen. In the decades after his death, the interest in Neo-classicism declined and with this also his reputation. It took until the mid-20th century that his art was re-evaluated.
Object details
Categories | |
Object type | |
Title | Triumphal entry of Alexander the Great into Babylon (generic title) |
Materials and techniques | Electrotype copy in relief |
Brief description | Part of a frieze, relief, electrotype reproduction, Triumphal entry of Alexander the Great into Babylon, made by Charles V. Walker, after an original by Bertel Thorwaldsen, Great Britain, ca. 1850-1901 |
Physical description | Electrotype copy of part of the frieze representing the Triumphal Entry of Alexander the Great into Babylon. This portion represents Alexander in a quadriga driven by Victory. Stamped. |
Dimensions |
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Marks and inscriptions | 'ELECTROTYPED/FOR THE/MUSEUM OF ECONOMIC GEOLOGY' (stamped in the bottom left hand corner) |
Object history | Transferred from the Museum of Practical Geology, Jermyn Street, London. together with Mus. Nos. 5680 and 5681-1901. According to Museum records, the Committee met and recommended their transfer in 1901. Included in this suggested transfer were several electrotypes and castings, which had hung on the wall of the Museum. |
Subjects depicted | |
Association | |
Summary | This is one of three sections of an electrotype copy of a frieze acquired in 1901, made by Charles V. Walker after an original by Bertel Thorvaldsen. It depicts the Triumphal entry of Alexander the Great into Babylon and showns three Babylonian warriors each holding a spear and one also holding a shield. It is a copy of an original stucco frieze, 32 metres in length, ordered by Napoleon I in 1813 for a room in the Palazzo Qurinale at Rome. Marble versions also exist in the Villa Carlotta at Cadeabbia on Lake Como and in the Christiansborg Palace, Copenhagen. This portion represents Alexander in a quadringa driven by Victory. There is no information to be found so far about the sculptor Walker,active about 1850 - 1901, who is presumably the maker of the electrotypes. Thorvaldsen (1768/70 – 1844) was a Danish sculptor and collector, who was active in Italy. He spent most of his working life in Rome, where he followed Antonio Canova to become the foremost Neo-classical sculptor. His fame and reputation led to commissions from public and private patrons in many countries. He had a large and well-organized studio and a collection of contemporary paintings, which was probably the finest in 19th-century Rome and, together with many of his sculptures, is now housed in the Thorvaldsens Museum, Copenhagen. In the decades after his death, the interest in Neo-classicism declined and with this also his reputation. It took until the mid-20th century that his art was re-evaluated. |
Associated objects | |
Bibliographic references |
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Collection | |
Accession number | 5680-1901 |
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Record created | May 29, 2009 |
Record URL |
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