Image of Gallery in South Kensington
On display at V&A South Kensington
China, Room 44, The T.T. Tsui Gallery

Wrist Rest

1921 (made)
Artist/Maker
Place of origin

Chinese scholars used wrist rests while composing calligraphy. In ancient times the Chinese wrote with a brush, in vertical lines from right to left. The ink on the paper did not dry quickly enough as the writer moved from one line to the next, and the wrist rest prevented the written lines from being smeared.

Most wrist rests are made of bamboo. This is partly due to the naturally curving shape of a section of bamboo, and partly due to bamboo being a symbol of righteousness.


Object details

Category
Object type
Materials and techniques
Bamboo, carved
Brief description
Wrist rest by Jin Xiya, carved bamboo, China, dated 1921
Physical description
Bamboo wrist rest, curved cross-section, incised with a design of pine trees.
Dimensions
  • Width: 23.9cm
  • Depth: 5.5cm
Marks and inscriptions
Inscribed 'xin yu shi yue Difan hua Xiya ke' (From Register)
Translation
Painted by Difan, cut by Xiya in the 10th month of the xin yu year
Gallery label
REST FOR THE WRIST, USED IN WRITING Carved in bamboo CHINA; dated 1921 FE.38-1985 The carving is by the carver Jin Shaofang (1890-1979), after a design by the painter Yu Ming (1884-1935). Both men worked in the city of Shanghai.(pre 2005)
Object history
From the collection of Dr Ip Yee, Hong Kong
Production
From Register:
Difan was a studio name of Yu Ming (1884-1935), from Wuxing, Jiangsu province, active in Shanghai.

Xiya was the hao of Jin Shaofang (1890-1979), also from Wuxing but resident in Shanghai, the leading bamboo carver of the 20th century.

Biographical reference: Wang Shixiang/Wan-go Weng. Bamboo Carving of China. China House Gallery (New York, 1983) and Jin Xiya and Wang Shiziang, Zhu ke yishu (Beijing, 1980).
CC 24/6/1986

Jin Shaofang was the brother of the collector Jin Shaocheng and of the painter Jin Zhang, mother of Wang Shixiang. Personal information from Wang Shixaing.
CC 7/11/1986
Summary
Chinese scholars used wrist rests while composing calligraphy. In ancient times the Chinese wrote with a brush, in vertical lines from right to left. The ink on the paper did not dry quickly enough as the writer moved from one line to the next, and the wrist rest prevented the written lines from being smeared.

Most wrist rests are made of bamboo. This is partly due to the naturally curving shape of a section of bamboo, and partly due to bamboo being a symbol of righteousness.
Bibliographic references
  • Jin, Xiya and Wang Shixiang. Zhu ke yi shu. Beijing, 1980.
  • Clunas, Craig. Chinese Carving. London: Sun Tree Publishing Ltd in association with the Victoria & Albert Museum, 1996. p. 53, fig. 55.
  • Moss, Paul, Emperor, Scholar, Artisan, Monk: The Creative Personality in Chinese Works of Art, London, 1984. p.170
  • Wang Shixiang/Wan-go Weng. Bamboo Carving of China. New York: China House Gallery, 1983.
Collection
Accession number
FE.38-1985

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Record createdFebruary 12, 2000
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