Bonnet
about 1830 (made)
| Artist/Maker | |
| Place of origin |
In the early years of the 1830s, women's fashion was firmly focussed on the upper part of the body. Above the waist, pleated bodices, wide necklines, balloon-like sleeves and intricate hairstyles were topped off with striking bonnets such as this example in the V&A's collection.
This hat is made from a base of straw plait, carefully stitched together to form the high crown and dramatic brim. The straw has been covered entirely with velvet and subsequently decorated with wide silk satin ribbons which have been carefully pinned into place. The ends of the ribbons have then been cut into a zigzag finish.
Bonnet trimmings were constantly changed and updated in order to give a new look, and as such ribbons and trimmings are often pinned into place as opposed to being sewn, especially on a fabric such as velvet which would mark easily.
Until the mid-nineteenth century, black dye was often created from wood components and was notoriously unstable, often fading to a brown or purple shade. The velvet on this bonnet has faded softly to a dark brown but the ribbons retain their colour.
The 'Merry Widow' cap designed by milliner Stephen Jones for his 'Albertopolis' collection, Autumn/Winter 2009 was directly inspired by this bonnet.
This hat is made from a base of straw plait, carefully stitched together to form the high crown and dramatic brim. The straw has been covered entirely with velvet and subsequently decorated with wide silk satin ribbons which have been carefully pinned into place. The ends of the ribbons have then been cut into a zigzag finish.
Bonnet trimmings were constantly changed and updated in order to give a new look, and as such ribbons and trimmings are often pinned into place as opposed to being sewn, especially on a fabric such as velvet which would mark easily.
Until the mid-nineteenth century, black dye was often created from wood components and was notoriously unstable, often fading to a brown or purple shade. The velvet on this bonnet has faded softly to a dark brown but the ribbons retain their colour.
The 'Merry Widow' cap designed by milliner Stephen Jones for his 'Albertopolis' collection, Autumn/Winter 2009 was directly inspired by this bonnet.
Object details
| Categories | |
| Object type | |
| Materials and techniques | straw, velvet, silk |
| Brief description | Bonnet, black silk velvet trimmed with satin ribbons |
| Physical description | Black/dark brown silk velvet bonnet with wide brim and high poke, trimmed with looped black silk satin ribbons. The bonnet is constructed of straw and covered in velvet. |
| Credit line | Given by Mrs George Atkinson and Mrs M. F. Davey |
| Summary | In the early years of the 1830s, women's fashion was firmly focussed on the upper part of the body. Above the waist, pleated bodices, wide necklines, balloon-like sleeves and intricate hairstyles were topped off with striking bonnets such as this example in the V&A's collection. This hat is made from a base of straw plait, carefully stitched together to form the high crown and dramatic brim. The straw has been covered entirely with velvet and subsequently decorated with wide silk satin ribbons which have been carefully pinned into place. The ends of the ribbons have then been cut into a zigzag finish. Bonnet trimmings were constantly changed and updated in order to give a new look, and as such ribbons and trimmings are often pinned into place as opposed to being sewn, especially on a fabric such as velvet which would mark easily. Until the mid-nineteenth century, black dye was often created from wood components and was notoriously unstable, often fading to a brown or purple shade. The velvet on this bonnet has faded softly to a dark brown but the ribbons retain their colour. The 'Merry Widow' cap designed by milliner Stephen Jones for his 'Albertopolis' collection, Autumn/Winter 2009 was directly inspired by this bonnet. |
| Collection | |
| Accession number | T.202-1958 |
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| Record created | May 18, 2009 |
| Record URL |
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