Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level C , Case MB3H, Shelf DR1

Henley

Etching
1969 (printed)
Artist/Maker
Place of origin

Julian Trevelyan (1910-1988) was a leading light in the etching revival of the 1960s, exploring the potential of the medium in new ways and inspiring a wave of post-war British artists to do so also. Trevelyan developed his own distinctive visual vocabulary as a printmaker, as exemplified by this print, 'Henley', an etching and aquatint which formed one of his 'Thames Suite' (1969). Far from being an essay in nostalgic topography, Trevelyan deconstructs his subject of a Henley regatta into a collage of elementary shapes, patterns and colours. In breaking the composition down into these essential elements, with disconcerting shifts of scale and spatial relationships,Trevelyan expresses his intense response to the scene he is depicting.


Object details

Categories
Object type
TitleHenley (assigned by artist)
Materials and techniques
Etching and aquatint
Brief description
'Henley' by Julian Trevelyan; etching and aquatint;1969
Physical description
Print, etching and aquatint
Dimensions
  • Platemark height: 44.cm
  • Platemark width: 34.9cm
  • Size of sheet height: 79cm
  • Size of sheet width: 58.3cm
Marks and inscriptions
  • 44/75 (Inscribed in pencil below the platemark on the lefthand side)
  • Henley (Inscribed in pencil below the platemark)
  • Julian Trevelyan (Signed in pencil below the platemark on the right hand side)
  • 79673 (Inscribed in pencil on the reverse of the sheet)
  • Blind stamp (On the reverse of the image)
Credit line
Purchased through the Julie and Robert Breckman Print Fund
Place depicted
Summary
Julian Trevelyan (1910-1988) was a leading light in the etching revival of the 1960s, exploring the potential of the medium in new ways and inspiring a wave of post-war British artists to do so also. Trevelyan developed his own distinctive visual vocabulary as a printmaker, as exemplified by this print, 'Henley', an etching and aquatint which formed one of his 'Thames Suite' (1969). Far from being an essay in nostalgic topography, Trevelyan deconstructs his subject of a Henley regatta into a collage of elementary shapes, patterns and colours. In breaking the composition down into these essential elements, with disconcerting shifts of scale and spatial relationships,Trevelyan expresses his intense response to the scene he is depicting.
Collection
Accession number
E.3718-2004

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Record createdMay 14, 2009
Record URL
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