Dambaetdae thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Korea, Room 47g

Dambaetdae

Pipe Rest (Dambaetdae)
1800 - 1899 (made)
Artist/Maker
Place of origin

White porcelain, made from a mixture of clay and crushed rock fired at a very high temperature, was first produced in Korea in the Goryeo dynasty (918–1392) and came to dominate ceramic production in the Joseon period (1392–1910). Kilns produced large objects for use at court as well as smaller domestic pieces for private customers. In about 1800 they began to produce elegant white openwork porcelain objects such as this tobacco-pipe rest.

Scholarly pursuits were highly prized among Joseon gentlemen, who spent many hours at their desks in the male quarters of the traditional Korean home. This pipe rest would have been kept nearby, serving its function but also delighting the eye.


Object details

Categories
Object type
TitleDambaetdae (generic title)
Materials and techniques
Porcelain, thrown, incised, pierced and glazed
Brief description
Pipe rest, porcelain with openwork decoration and covered with a white glaze; Korea, Joseon, C19
Physical description
Pipe holder of porcelain with moulded and pierced decoration, covered with a light celadon-green glaze, in the form of a cube.

Two of the sides are pierced with a swastika within a circle, another with a honeycomb pattern, and the fourth with an inverted niche-shaped opening with three almond-shaped perforations in the spandrels. The top is pierced with trellis-work, with a circular orifice in the middle; the base is entire.
Dimensions
  • Length: 6.3cm
  • Width: 6.3cm
  • Height: 6.2cm
Style
Gallery label
2. Scholarly objects and self-cultivation Joseon dynasty (1392–1910) Brush rest and inkstone made by Im Yi-nam in 1991 In a traditional Korean house, the sarangbang was the master’s study room where his possessions were carefully curated, reflecting his tastes and scholarly pursuits. Nature was important to the seonbi (Neo-Confucian virtuous scholars). This water dropper, yeonjeok, shaped like Mount Geumgang, was used to wet an inkstone, byeoru, when grinding an inkstick. The brush pot, piltong, is decorated with a phoenix, a representation of longevity and good fortune, while the openwork pipe rest, dambaetdae, contains portrayals of lotus flowers, a Joseon symbol of the honourable scholar. [86] White porcelain with underglaze cobalt blue and copper red, and white porcelain Water dropper given by Mr Aubrey Le Blond Brush rest and inkstone purchase supported by V&A Members Museum nos. C.98-1937, C.447-1920, C.343-1912, FE.35:1 & 2-1991(19/01/2021)
Object history
Purchased from Messrs. Kavanough & Co. (Seoul, Chosen, Korea), accessioned in 1912. This acquisition information reflects that found in the Asia Department registers, as part of a 2022 provenance research project.
Purchased from Kavanaugh & Co, Seoul, Korea; purchased by V&A ceramics curator C. H. Wylde. Register entry 22 August 1912.
Historical context
Purchase price for C.330-1929 through C.362-1912, inclusive.
Subjects depicted
Summary
White porcelain, made from a mixture of clay and crushed rock fired at a very high temperature, was first produced in Korea in the Goryeo dynasty (918–1392) and came to dominate ceramic production in the Joseon period (1392–1910). Kilns produced large objects for use at court as well as smaller domestic pieces for private customers. In about 1800 they began to produce elegant white openwork porcelain objects such as this tobacco-pipe rest.

Scholarly pursuits were highly prized among Joseon gentlemen, who spent many hours at their desks in the male quarters of the traditional Korean home. This pipe rest would have been kept nearby, serving its function but also delighting the eye.
Bibliographic references
  • National Research Institute of Cultural Heritage. Korean Art Collection Victoria and Albert Museum. Republic of Korea, 2013. p. 203 This cigarette pipe holder is cubic, and one side has a window to hold a cigarette, and the three remaining sides are decorated with openwork swastika designs, lotus flower patterns, and tortoise-shell designs, all made in openwork design. The top side has a hole in the center, and the remaining area is embellished with lattice patterns. The glaze takes on a bluish-white colour, and the foot has fireclay spur marks. This was produced at a kiln site in Bunwon-ri, Gwangju, in the early 19th century.
  • Beth McKillop. Korean Art and Design. London: Victoria and Albert Museum, 1992. p. 36
Other numbers
  • RP 1320/138 - RF number
  • RP 4486/12 - RF number
Collection
Accession number
C.343-1912

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Record createdFebruary 3, 2000
Record URL
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