Brushpot thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 137, The Curtain Foundation Gallery

Brushpot

1800-1900 (made)
Artist/Maker
Place of origin

White porcelain, made from a mixture of clay and crushed rock fired at a very high temperature, was first produced in Korea in the Koryo dynasty (918–1392) and came to dominate ceramic production in the Choson period (1392–1910). Kilns produced large objects for use at court as well as smaller domestic pieces for private customers. In about 1800 they began to produce elegant white openwork porcelain objects such as this brush pot. Painting and calligraphy were essential accomplishments of the Choson gentleman, and this piece would have graced a scholar's study, serving its function but also delighting the eye.

Plain white wares, with their connotations of purity and honesty, were particularly popular in a culture embedded in Confucian philosophy. The bluish tinge of the glaze of this pot is a typical feature of Korean porcelains and becomes all the more pronounced if the glaze is thickly applied. The deftly carved design is of stylised peonies and foliage on winding stems with incised markings.


Object details

Categories
Object type
Materials and techniques
Porcelain, thrown, incised and glazed
Brief description
Brushpot, white-glazed porcelain with pierced and incised decoration, Korea, Choson dynasty, 1800-1900.
Physical description
Brushpot of porcelain, covered with a white glaze with bluish tinge. The sides of the brushpot are decorated with openwork featuring stylised peonies and foliage on winding stems. The character 'ri' is carved onto the base.
Dimensions
  • Height: 12.5cm
  • Diameter: 10.2cm
Style
Subject depicted
Summary
White porcelain, made from a mixture of clay and crushed rock fired at a very high temperature, was first produced in Korea in the Koryo dynasty (918–1392) and came to dominate ceramic production in the Choson period (1392–1910). Kilns produced large objects for use at court as well as smaller domestic pieces for private customers. In about 1800 they began to produce elegant white openwork porcelain objects such as this brush pot. Painting and calligraphy were essential accomplishments of the Choson gentleman, and this piece would have graced a scholar's study, serving its function but also delighting the eye.

Plain white wares, with their connotations of purity and honesty, were particularly popular in a culture embedded in Confucian philosophy. The bluish tinge of the glaze of this pot is a typical feature of Korean porcelains and becomes all the more pronounced if the glaze is thickly applied. The deftly carved design is of stylised peonies and foliage on winding stems with incised markings.
Bibliographic reference
McKillop, Beth. Korean art and design: the Samsung gallery of Korean art. London: Victoria and Albert Museum, 1992, Plate 36.
Collection
Accession number
C.351-1921

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Record createdFebruary 3, 2000
Record URL
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