Not currently on display at the V&A

Costume Design

Costume Design
1973 (drawn)
Artist/Maker
Place of origin

Textile and tapestry designer Joyce Conwy Evans has designed settings and costumes for a number of small scale opera companies. Her costume designs are impressionistic, suggesting the desired effect rather than the detail, and the use of spray painted backgrounds and a range of artists' materials give her brightly coloured designs for La Perichole the quality of contemporary fabric collages.


Object details

Categories
Object type
TitleCostume Design (generic title)
Materials and techniques
Paint, wax, pencil, ink, metallic spray paint, crayon, sequin and fabric swatches on card
Brief description
Costume design by Joyce Conwy Evans for the Second Notary in Act I of Jacques Offenbach's opera bouffe La Perichole, London Opera Centre production at Sadler's Wells, 1973
Physical description
On thin white card, a full length figure in tattered clerical dress with white bands at neck, full white shirt sleeves and black knee breeches. A gold seal on fuschia ribbon around the neck and sealed scroll in hand. Black cap and pince-nez. A single sequin used to represent a ring on the finger. Fabric samples attached by pin. Patches of silver spray-painted stencil design (doily used as stencil) cover the whole.
Dimensions
  • Height: 52cm
  • Width: 33.5cm
Marks and inscriptions
  • 'brown and black (fur NOT real)' (One of various instructions for costumier handwritten in pencil around the main figure.)
  • 'JCE' (Initials of designer; handwritten, pencil, bottom-right corner.)
Credit line
Given by Patricia Fara in memory of Stephen and Helen Fenlaugh
Object history
Costume design by Joyce Conwy Evans for the Second Notary in Act I of Jacques Offenbach's opera bouffe La Perichole, London Opera Centre production at Sadler's Wells, 1973
Literary reference<i>La Perichole</i>
Summary
Textile and tapestry designer Joyce Conwy Evans has designed settings and costumes for a number of small scale opera companies. Her costume designs are impressionistic, suggesting the desired effect rather than the detail, and the use of spray painted backgrounds and a range of artists' materials give her brightly coloured designs for La Perichole the quality of contemporary fabric collages.
Collection
Accession number
S.63-2007

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Record createdApril 17, 2009
Record URL
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