Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 137, The Curtain Foundation Gallery

Water Dropper

1800-1900 (made)
Artist/Maker
Place of origin

Korean water droppers formed part of a set of accoutrements necessary for writing and painting. Before using the brush, the writer would prepare the ink by grinding an ink stick on an ink stone with a few drops of water dispersed from the dropper.

The wide variety of shapes and designs that characterise water droppers of the 18th and 19th centuries displays the imagination and wit of their makers and consumers. This dropper is in the shape of an upturned peach, a symbol of immortality in Taoist belief.


Object details

Categories
Object type
Materials and techniques
Porcelain, moulded and painted under the glaze with cobalt blue and copper red
Brief description
Water dropper, porcelain, moulded and painted under the glaze, Korea, 1800-1900.
Physical description
The dropper is carved into the shape of a peach with a purplish-red tip, groups of red dots on the walls and blue at the base.
Dimensions
  • Height: 15.2cm
  • Diameter: 10.4cm
Style
Credit line
Given by Dr W. M. Tapp
Subject depicted
Summary
Korean water droppers formed part of a set of accoutrements necessary for writing and painting. Before using the brush, the writer would prepare the ink by grinding an ink stick on an ink stone with a few drops of water dispersed from the dropper.

The wide variety of shapes and designs that characterise water droppers of the 18th and 19th centuries displays the imagination and wit of their makers and consumers. This dropper is in the shape of an upturned peach, a symbol of immortality in Taoist belief.
Bibliographic reference
Wood, Nigel and Rose Kerr, "Graciousness to Wild Austerity: Aesthic dimensions of Korean ceramics explored through technology" in Orientations, Hong Kong, Vol. 23, No. 12, December 1992, p. 41, Fig. 2
Collection
Accession number
C.19-1919

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Record createdFebruary 3, 2000
Record URL
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