Brushpot
1800-1900 (made)
Artist/Maker | |
Place of origin |
White porcelain, made from a mixture of clay and crushed rock fired at a very high temperature, was first produced in Korea in the Koryo dynasty (918–1392) and came to dominate ceramic production in the Choson dynasty (1392–1910). Kilns produced large objects for use at court as well as smaller domestic pieces for private customers. In about 1800 they began to produce elegant white openwork porcelain objects such as this brush pot. Painting and calligraphy were essential accomplishments of the Choson gentleman, and this piece would have graced a scholar’s study, serving its function but also delighting the eye.
Plain white wares, with their connotations of purity and honesty, were particularly popular in a culture embedded in Confucian philosophy. The bluish tinge of the glaze of this pot is a typical feature of Korean porcelains and becomes all the more pronounced if the glaze is thickly applied. The deft carving on this pot imitates sections of bamboo.
Plain white wares, with their connotations of purity and honesty, were particularly popular in a culture embedded in Confucian philosophy. The bluish tinge of the glaze of this pot is a typical feature of Korean porcelains and becomes all the more pronounced if the glaze is thickly applied. The deft carving on this pot imitates sections of bamboo.
Object details
Categories | |
Object type | |
Materials and techniques | Porcelain, thrown, carved, and glazed |
Brief description | Brushpot, porcelain with openwork decoration, Korea, Choson dynasty, 1800-1900 |
Physical description | The sides are carved into bamboo-like lengths, cut away to form cross-shaped piercings. At the mouth and the foot are plain, uncarved bands. |
Dimensions |
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Style | |
Summary | White porcelain, made from a mixture of clay and crushed rock fired at a very high temperature, was first produced in Korea in the Koryo dynasty (918–1392) and came to dominate ceramic production in the Choson dynasty (1392–1910). Kilns produced large objects for use at court as well as smaller domestic pieces for private customers. In about 1800 they began to produce elegant white openwork porcelain objects such as this brush pot. Painting and calligraphy were essential accomplishments of the Choson gentleman, and this piece would have graced a scholar’s study, serving its function but also delighting the eye. Plain white wares, with their connotations of purity and honesty, were particularly popular in a culture embedded in Confucian philosophy. The bluish tinge of the glaze of this pot is a typical feature of Korean porcelains and becomes all the more pronounced if the glaze is thickly applied. The deft carving on this pot imitates sections of bamboo. |
Bibliographic reference | McKillop, Beth. Korean art and design: the Samsung gallery of Korean art. London: Victoria and Albert Museum, 1992, Plate 36. |
Collection | |
Accession number | C.94-1937 |
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Record created | February 3, 2000 |
Record URL |
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