Jar
1800-1850 (made)
Artist/Maker | |
Place of origin |
White porcelain, made from a mixture of clay and crushed rock fired at a very high temperature, was first produced in Korea in the Koryo dynasty (918–1392). By the time this globular jar was made in the 19th century, such porcelain had come to dominate ceramic production. Plain white wares, with their connotations of purity and honesty, were popular in a culture embedded in Confucian philosophy. However, porcelains painted under the glaze with iron brown, copper red and, as in this case, cobalt blue were also prized.
Four roundels are spaced evenly around the body of the jar. Two contain tortoises, the other two cranes, both symbolic of longevity in Taoist belief. A stylised band of clouds encircles the neck.
Four roundels are spaced evenly around the body of the jar. Two contain tortoises, the other two cranes, both symbolic of longevity in Taoist belief. A stylised band of clouds encircles the neck.
Object details
Categories | |
Object type | |
Materials and techniques | Porcelain, painted under the glaze in cobalt blue |
Brief description | Jar, porcelain, decorated in underglaze cobablt blue with a design of tortoises and brids, Korea, late Choson dynasty, 1800-50 |
Physical description | Jar of porcelain, decorated in underglaze cobablt blue with four roundels, two containing tortoises breathing out vapour and two containing birds below the moon and clouds. At the shoulder is a band of cloud scroll. There is a short foot. |
Dimensions |
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Style | |
Credit line | Given by Dr W. M. Tapp |
Subjects depicted | |
Summary | White porcelain, made from a mixture of clay and crushed rock fired at a very high temperature, was first produced in Korea in the Koryo dynasty (918–1392). By the time this globular jar was made in the 19th century, such porcelain had come to dominate ceramic production. Plain white wares, with their connotations of purity and honesty, were popular in a culture embedded in Confucian philosophy. However, porcelains painted under the glaze with iron brown, copper red and, as in this case, cobalt blue were also prized. Four roundels are spaced evenly around the body of the jar. Two contain tortoises, the other two cranes, both symbolic of longevity in Taoist belief. A stylised band of clouds encircles the neck. |
Bibliographic reference | McKillop, Beth. "The Samsung Gallery of Korean Art at the V&A" in Orientations. Hong Kong, Vol. 23, No. 12, December 1992, p. 36, Fig. 7. |
Collection | |
Accession number | C.73-1930 |
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Record created | February 3, 2000 |
Record URL |
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