Jar thumbnail 1
Jar thumbnail 2
+5
images
Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 137, The Curtain Foundation Gallery

Jar

1800-1850 (made)
Artist/Maker
Place of origin

White porcelain, made from a mixture of clay and crushed rock fired at a very high temperature, was first produced in Korea in the Koryo dynasty (918–1392). By the time this globular jar was made in the 19th century, such porcelain had come to dominate ceramic production. Plain white wares, with their connotations of purity and honesty, were popular in a culture embedded in Confucian philosophy. However, porcelains painted under the glaze with iron brown, copper red and, as in this case, cobalt blue were also prized.

Four roundels are spaced evenly around the body of the jar. Two contain tortoises, the other two cranes, both symbolic of longevity in Taoist belief. A stylised band of clouds encircles the neck.


Object details

Categories
Object type
Materials and techniques
Porcelain, painted under the glaze in cobalt blue
Brief description
Jar, porcelain, decorated in underglaze cobablt blue with a design of tortoises and brids, Korea, late Choson dynasty, 1800-50
Physical description
Jar of porcelain, decorated in underglaze cobablt blue with four roundels, two containing tortoises breathing out vapour and two containing birds below the moon and clouds. At the shoulder is a band of cloud scroll. There is a short foot.
Dimensions
  • Height: 28cm
  • Diameter: 30.5cm
Style
Credit line
Given by Dr W. M. Tapp
Subjects depicted
Summary
White porcelain, made from a mixture of clay and crushed rock fired at a very high temperature, was first produced in Korea in the Koryo dynasty (918–1392). By the time this globular jar was made in the 19th century, such porcelain had come to dominate ceramic production. Plain white wares, with their connotations of purity and honesty, were popular in a culture embedded in Confucian philosophy. However, porcelains painted under the glaze with iron brown, copper red and, as in this case, cobalt blue were also prized.

Four roundels are spaced evenly around the body of the jar. Two contain tortoises, the other two cranes, both symbolic of longevity in Taoist belief. A stylised band of clouds encircles the neck.
Bibliographic reference
McKillop, Beth. "The Samsung Gallery of Korean Art at the V&A" in Orientations. Hong Kong, Vol. 23, No. 12, December 1992, p. 36, Fig. 7.
Collection
Accession number
C.73-1930

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Record createdFebruary 3, 2000
Record URL
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