Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 143, The Timothy Sainsbury Gallery

Blue-and-white porcelain flask

Flask
1800 - 1850 (made)
Artist/Maker
Place of origin

White porcelain wares with underglaze blue decoration started to be produced in Korea around the mid-fifteenth century in emulation of Chinese blue-and-white wares. Cobalt was initially imported from China, making these vessels expensive and fashionable among the ruling elite. Wine bottles such as this one acquired their recognizable silhouette of heavy lower body balanced by a tall slender neck from the second half of the 18th century. Initially executed by professional court painters of the Dohwaseo (Royal Bureau of Painting), the decorative themes evolved from literati to folk motifs rich in symbolism of long life and happiness.


Object details

Category
Object type
Titles
  • Blue-and-white porcelain flask (generic title)
  • 백자청화산수문병 (published title)
  • 주병 (popular title)
Materials and techniques
Thrown, painted, glazed porcelain
Brief description
Large white porcelain flask with a tall, leaning neck, decorated with a landscape design in underglaze cobalt blue
Physical description
Large white porcelain flask with a tall neck leaning on one side, which likely occurred during firing.
The body is decorated in underglaze cobalt blue with a scene depicting a mountain landscape with a man fishing from a rock.

Colour: Blue and white
Dimensions
  • Height: 35cm
  • Diameter: 21.2cm
Style
Object history
Purchased from Messrs. Kavanough & Co. (Seoul, Chosen, Korea), accessioned in 1912. This acquisition information reflects that found in the Asia Department registers, as part of a 2022 provenance research project.
Summary
White porcelain wares with underglaze blue decoration started to be produced in Korea around the mid-fifteenth century in emulation of Chinese blue-and-white wares. Cobalt was initially imported from China, making these vessels expensive and fashionable among the ruling elite. Wine bottles such as this one acquired their recognizable silhouette of heavy lower body balanced by a tall slender neck from the second half of the 18th century. Initially executed by professional court painters of the Dohwaseo (Royal Bureau of Painting), the decorative themes evolved from literati to folk motifs rich in symbolism of long life and happiness.
Collection
Accession number
C.347-1912

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Record createdFebruary 3, 2000
Record URL
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