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Request to view at the Prints & Drawings Study Room, level C , Case 3H, Shelf 24

Huge T1J/R 12325 15061973

Print
1973 (made)
Artist/Maker
Place of origin

Jacques Palumbo (born 1939, Algeria) began using computers in the early 1970s. This screen print, after a computer generated drawing, is based on a matrix of numbers. The artist constructed his research using a system of codified signs in which typographical symbols (letters of the alphabet, numbers and punctuation) were linked to corresponding graphical symbols. Palumbo used of a series of mathematical rules to explore the spatial relationships between the symbols. Such work shares its roots with much of the systems led art that was produced in the 1960s and the 1970s, in which ideas and process became as important as the object itself.


Object details

Categories
Object type
TitleHuge T1J/R 12325 15061973 (assigned by artist)
Materials and techniques
Screenprint on paper
Brief description
Screenprint after a computer-generated drawing, 'Huge T1J/R 12325 15061973', 1973, by Jacques Palumbo.
Physical description
Orange screenprint on paper, from a computer-generated drawing, mounted on board.
Dimensions
  • Of mount height: 73.1cm
  • Of mount width: 60.2cm
  • Of print height: 63.1cm
  • Of print width: 50.1cm
Copy number
12 of 40
Marks and inscriptions
  • '12/40 Huge T1J/R 12325 15061973' (Edition number and title (inc. date), in pencil, in lower left side.)
  • 'Palumbo' (Artist's signature, in pencil, in lower right side.)
Credit line
Given by the Computer Arts Society, supported by System Simulation Ltd, London
Summary
Jacques Palumbo (born 1939, Algeria) began using computers in the early 1970s. This screen print, after a computer generated drawing, is based on a matrix of numbers. The artist constructed his research using a system of codified signs in which typographical symbols (letters of the alphabet, numbers and punctuation) were linked to corresponding graphical symbols. Palumbo used of a series of mathematical rules to explore the spatial relationships between the symbols. Such work shares its roots with much of the systems led art that was produced in the 1960s and the 1970s, in which ideas and process became as important as the object itself.
Other number
CAS/A/0160 - Previous owner's number
Collection
Accession number
E.77-2008

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Record createdApril 6, 2009
Record URL
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