Walking Ware
Teapot
1974 (designed), 1980 (made)
1974 (designed), 1980 (made)
| Artist/Maker | |
| Place of origin |
After training at the Central School of Art, London, in the early 1960s, Roger Michell and Danka Napiorkowska established Lustre Pottery together. Preoccupied with finely crafted early-industrial English earthenware, they set about developing clays and glazes in imitation of creamware. In 1974 they first made their 'Walking teaset', which became so popular that in order to satisfy demand they organised mass-production of the teaset by the industrial Staffordshire pottery, Carlton Ware. This version was hand-made for the Museum by the potters. Commercial production stopped in 1981. The quirky, Postmodern, and quintessentially English design can be interpreted as a reaction to the stonewares favoured by the studio pottery movement.
Object details
| Category | |
| Object type | |
| Parts | This object consists of 2 parts.
|
| Title | Walking Ware (manufacturer's title) |
| Materials and techniques | cream-coloured earthenware, painted in colours, hand-made |
| Brief description | Teapot and cover, from the 'Walking teaset', Michell and Napiorkowska, designed 1974, made 1980 |
| Physical description | White teapot and lid, with feet, painted with brown shoes and white socks with brown and black checks. |
| Dimensions |
|
| Gallery label | Walking teaset
Made by Danka Napiorkoswka, Made by Roger Michell, Malton, Yorkshire, 1980
Earthenware with painted decoration
C.78,A,B,C,E and F-1981(23/05/2008) |
| Summary | After training at the Central School of Art, London, in the early 1960s, Roger Michell and Danka Napiorkowska established Lustre Pottery together. Preoccupied with finely crafted early-industrial English earthenware, they set about developing clays and glazes in imitation of creamware. In 1974 they first made their 'Walking teaset', which became so popular that in order to satisfy demand they organised mass-production of the teaset by the industrial Staffordshire pottery, Carlton Ware. This version was hand-made for the Museum by the potters. Commercial production stopped in 1981. The quirky, Postmodern, and quintessentially English design can be interpreted as a reaction to the stonewares favoured by the studio pottery movement. |
| Collection | |
| Accession number | C.78A-1981 |
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| Record created | February 2, 2000 |
| Record URL |
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