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print from Ionides Album

Print
Early nineteenth century (made)
Artist/Maker
Place of origin

The Penitent Mary Madgdelene is shown sat in the foreground of the print against a rocky backdrop. She supports a cross in her right hand, which leans against her chest while she throws her head back in ecstacy. Her head is supported by her left arm which rests on a skull. A pot of ointment, relating to her role in the passion of Christ is shown in front of the skull.

Folio 20r of the Album.


Object details

Category
Object type
Titles
  • print from Ionides Album (generic title)
  • Mary Magdalen in penitance (generic title)
Materials and techniques
print
Brief description
Alexander Constantine Ionides Album
Physical description
The Penitent Mary Madgdelene is shown sat in the foreground of the print against a rocky backdrop. She supports a cross in her right hand, which leans against her chest while she throws her head back in ecstacy. Her head is supported by her left arm which rests on a skull. A pot of ointment, relating to her role in the passion of Christ is shown in front of the skull.

Folio 20r of the Album.
Dimensions
  • Height: 19.9cm
  • Width: 16.1cm
Marks and inscriptions
  • Printed below the engraving: Ant. Allegri d:o il Correggio dpi- Gioita Garavaglia dis-Faustino Anderloni incise
    Translation
    Painted by Antonio Alegri called Correggio- print designed by Gioita Garavaglia- Engraved by Faustino Anderloni
  • Printed at the bottom centre of the print "DILEXIT MULTUM Luc C.7"
    Translation
    The quote comes from Luke Chapter 7, verse 47: "Wherefore, I say to thee: Many sins are forgiven her, because she hath loved much. But to whom less is forgiven, he loveth less."
Credit line
Purchased with Art Fund support and assistance from the Friends of the V&A, the Julie and Robert Breckman Print Fund, and the Marks Trust
Object history
Structure and contents of the prints and drawings album of A.C. Ionides

18th or early 19th century album, 54 fols., 235 x 180 mm.

Case binding of half maroon leather with paper sides, blind roll tooled across corners and down board edge at joint, three line gold tooling across spine to make five panels into which a centre decoration of lyres has been tooled in gold. The album is double-sided, to accommodate prints from one end and drawings from the other (stamped PRINTS and DRAWINGS in gold on the spine).

The book block comprises eight gatherings of various coloured papers (ivory, grey, pink, brown, green, buff, blue). Originally each gathering appears to have been made up of three sheets of folio quired with added compensation guards. Some leaves have been cut out and in other instances prints or drawings have been tipped to the compensation guards. The book block has been sewn all along on two parchment tapes and its first and last leaves have been adhered to the case as the pastedown.

Many of the prints in the album have been trimmed. Unless stated as plate sizes, paper sizes are given.

Following its acquisition, the album was foliated continuously from the start of the PRINTS section on fol. 1r to the start of the DESIGNS section on fol.54v. As a result, the folio sequence appears to run in reverse when approached from the start of the DESIGNS section on fol. 54v. The contents of the album have also been individually inventoried, from E.1349:1-2001 to E.1349:94-2001.

In the following list, numbers prefixed by the letters 'F', 'L' and 'B' refer, respectively, to the catalogue numbers in A.J. FINBERG, 'Edward Calvert's Engravings', The Print Collector's Quarterly, 17 [1930], pp.139-53, R. LISTER, Edward Calvert, London [1962] and D. BINDMAN, The Complete Graphic Works of William Blake, London [1978]. Bartsch references are to The Illustrated Bartsch, 1, Netherlandish Artists (ed. L.J. SLATKES), New York [1978].
Bibliographic reference
Evans, Mark, 'Blake, Calvert - and Palmer? The album of Alexander Constantine Ionides', Burlington Magazine, CXLIV, September 2002, pp. 539-54
Collection
Accession number
E.1349:53-2001

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Record createdMarch 26, 2009
Record URL
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