Not currently on display at the V&A

Ceramic

ca.1840 (made)
Artist/Maker
Place of origin

Earthenware flatbacks and figurines for mantelpiece decoration were first produced in Staffordshire in the late 1830s. The earliest datable Staffordshire figures appear to be those of Queen Victoria, who was crowned in 1837. Images of royalty proved lucrative and during the 1840s Staffordshire pottery firms issued countless other royal figures. Although some appeared after Victoria's death in 1901, few were made after 1905. During their heyday however they were produced in vast numbers, usually modelled after prints. As well as the royal family they represented a wide variety of subjects, those of actors and actresses being especially popular.

This represents William Charles Macready (1793-1873) as Macbeth, a part he first played at Covent Garden Theatre in 1820, and chose to play for his farewell performance on 26 February 1851. The son of a provincial actor-manager, Macready made his first stage appearance at Birmingham as Romeo, and made his London debut in 1816 at Covent Garden. By 1819 he was firmly established as a leading actor and a rival to the great Edmund Kean. His Lear, Hamlet and Macbeth were especially acclaimed, prompting the critic Hazlitt to call him the best tragic actor of his day, with the exception of Kean. Macready worked hard to help restore the reputation of the theatre and was at times manager of both Covent Garden and Drury Lane Theatres.


Object details

Categories
Object type
Materials and techniques
Moulded earthenware, with painted decoration
Brief description
Earthenware flat-back figure of William Charles Macready (1793-1873) as Macbeth, Staffordshire, ca.1840.
Physical description
Flatbacked glazed earthenware figurine probably of Charles Macready as Macbeth standing on an integral base decorated to appear as if a grassy mound. Part of the base is cream with a dark red line around it and the front of the mound is painted with the inscription MACBETH. He wears a burgundy-coloured tunic with a pink bottom edge and carries a shield on his left arm which is held close to his chest. He has black boots and a black hat with a pink feather at the front. There is an orange sword hanging from his waist and he holds an object in his right hand, possibly a knife.
Dimensions
  • Height: 20.6cm
  • Of base width: 6.9cm
  • Of base height: 2.8cm
  • Of base depth: 6.1cm
Marks and inscriptions
No marks
Credit line
Bequeathed by John O'Donoghue
Subject depicted
Literary reference<i>Macbeth</i>
Summary
Earthenware flatbacks and figurines for mantelpiece decoration were first produced in Staffordshire in the late 1830s. The earliest datable Staffordshire figures appear to be those of Queen Victoria, who was crowned in 1837. Images of royalty proved lucrative and during the 1840s Staffordshire pottery firms issued countless other royal figures. Although some appeared after Victoria's death in 1901, few were made after 1905. During their heyday however they were produced in vast numbers, usually modelled after prints. As well as the royal family they represented a wide variety of subjects, those of actors and actresses being especially popular.

This represents William Charles Macready (1793-1873) as Macbeth, a part he first played at Covent Garden Theatre in 1820, and chose to play for his farewell performance on 26 February 1851. The son of a provincial actor-manager, Macready made his first stage appearance at Birmingham as Romeo, and made his London debut in 1816 at Covent Garden. By 1819 he was firmly established as a leading actor and a rival to the great Edmund Kean. His Lear, Hamlet and Macbeth were especially acclaimed, prompting the critic Hazlitt to call him the best tragic actor of his day, with the exception of Kean. Macready worked hard to help restore the reputation of the theatre and was at times manager of both Covent Garden and Drury Lane Theatres.
Associated object
Bibliographic references
  • Staffordshire Portrait Figures of the Victorian Era by P.D. Gordon Pugh, E422
  • Victorian Staffordshire Figures 1835-1875 Book 1. A & N. Harding
Collection
Accession number
S.41-2007

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdMarch 24, 2009
Record URL
Download as: JSONIIIF Manifest