The Stray Shuttlecock thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
British Galleries, Room 125, Edwin and Susan Davies Gallery

The Stray Shuttlecock

Painting
1878 (made)
Artist/Maker
Place of origin

Object Type
This oil painting is a special kind of illustration common in Victorian times, showing a sympathetic view of how people in other nations lived.

Subjects Depicted
This painting was lent to Bethnal Green Museum to accompany a Japanese Room display in 1884, which contained objects belonging to the artist. In this painting, a splendid interior and its contents are shown in meticulous detail. Human interest is catered for by showing the cultured mother playing a samisen (a three-stringed Japanese guitar). The child is asking silently but politely if the feathery shuttlecock could be retrieved from the tatami mat just inside the door.

The painting presents a very picturesque British image of the East, as objects would not be displayed together like this in a real Japanese room.

People
Frank Dillon was a painter in oils and watercolours, predominantly of landscape subjects, but also of domestic Islamic architecture. He was actively concerned with efforts to preserve the Islamic monuments of Cairo. In his desire to preserve domestic Egyptian architecture, particularly the interiors, he had painted accurate pictures of them as a kind of benign propaganda exercise. He peopled them with their inhabitants in appropriate costume, to give scale and to make them more appealing. He treated his later pictures of Japanese interiors, such as this scene, in the same way.


Object details

Categories
Object type
TitleThe Stray Shuttlecock
Materials and techniques
oil on canvas
Brief description
Oil painting entitled 'The Stray Stuttlecock' by Frank Dillon. Great Britain, 1878.
Physical description
Oil painting of two women in a Japanese interior. At right woman kneels, playing a musical instrument - a woman at left against a window. A shuttlecock on the floor between them.
Dimensions
  • Framed height: 90cm
  • Unframed width: 120cm
  • Unframed depth: 11.5cm
  • Framed height: 103cm
  • Framed width: 136cm
Dimensions checked: measured; 10/12/1998 by mthunder
Styles
Gallery label
British Galleries: This detailed view of an interior is based on an actual Japanese room which the artist brought from Japan and re-erected in England. Even so, the painting presents a very British image of the picturesque East. Objects would not have been displayed together like this in a real Japanese room.(27/03/2003)
Credit line
Given by S. Donkin and other legatees of the estate of Frank Dillon
Object history
Given by Sydney B. Donkin, 1916
Subjects depicted
Place depicted
Summary
Object Type
This oil painting is a special kind of illustration common in Victorian times, showing a sympathetic view of how people in other nations lived.

Subjects Depicted
This painting was lent to Bethnal Green Museum to accompany a Japanese Room display in 1884, which contained objects belonging to the artist. In this painting, a splendid interior and its contents are shown in meticulous detail. Human interest is catered for by showing the cultured mother playing a samisen (a three-stringed Japanese guitar). The child is asking silently but politely if the feathery shuttlecock could be retrieved from the tatami mat just inside the door.

The painting presents a very picturesque British image of the East, as objects would not be displayed together like this in a real Japanese room.

People
Frank Dillon was a painter in oils and watercolours, predominantly of landscape subjects, but also of domestic Islamic architecture. He was actively concerned with efforts to preserve the Islamic monuments of Cairo. In his desire to preserve domestic Egyptian architecture, particularly the interiors, he had painted accurate pictures of them as a kind of benign propaganda exercise. He peopled them with their inhabitants in appropriate costume, to give scale and to make them more appealing. He treated his later pictures of Japanese interiors, such as this scene, in the same way.
Collection
Accession number
P.6-1916

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Record createdJanuary 25, 2000
Record URL
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