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Gereformeerde Kerk. Edenvale. Transvaal, 28 December 1983
Goldblatt, David, born 1930 - Enlarge image
Gereformeerde Kerk. Edenvale. Transvaal, 28 December 1983
- Object:
Photograph
- Place of origin:
Edenvale, Transvaal, South Africa (photographed)
- Date:
1983 (photographed)
- Artist/Maker:
Goldblatt, David, born 1930 (photographer)
- Materials and Techniques:
gelatin silver print
- Credit Line:
Gift of David Goldblatt, 1987
- Museum number:
E.94-1992
- Gallery location:
Prints & Drawings Study Room, level H, case X, shelf 935, box K
Physical description
A black and white photograph of a modernist brick church.
Place of Origin
Edenvale, Transvaal, South Africa (photographed)
Date
1983 (photographed)
Artist/maker
Goldblatt, David, born 1930 (photographer)
Materials and Techniques
gelatin silver print
Marks and inscriptions
Copyright by David Goldblatt Box 1464, Johannesburg, South Africa
titled, dated, signed
various annotations
Dimensions
Height: 35 cm image, Width: 27.6 cm image, Height: 40.2 cm sheet, Width: 30.1 cm sheet
Descriptive line
'Dutch Reformed Church, Edenvale, Transvaal', gelatin silver print by David Goldblatt, 1983.
Bibliographic References (Citation, Note/Abstract, NAL no)
Goldblatt, David. South Africa. The Structure of Things Then. Oxford: Oxford University Press, 1998. Illustrated p. 155, text p. 243.
Text reads: The architect Vos Naude explained that the Edenvale congregation did not have the money for a church as well as a hall but needed both. He therefore designed a dual purpose building in which the pulpit slid out of the way to allow conversion of the space into a theatre. Air conditioning and controlled lighting dispensed with the need for windows, so he was able to build unpierced outer walls, which made it unnecessary to black out the hall when using it as a theatre. The church was inaugurated in February 1976. Vos's plan called for a bell at the top of the tower, which was not installed.
During the 1970s and 80s most of the new Afrikaner Protestant churches were designed with few windows in their outer walls. The reason, in my opinion, were both practical and ideological.
Subjects depicted
Churches; Apartheid; Edenvale, Transvaal
Categories
Africa; Photographs
Collection code
PDP

