Not currently on display at the V&A

Three Portrait Heads

Cameo
18th century (made)
Artist/Maker
Place of origin

This cameo depicting three overlapping heads of women facing to the left is made by an unknown artist in Germany in the 18th century.

The art of engraving gemstones has been admired since the early days of the Roman empire. It was revived in Europe during the Renaissance, and again in the 18th and 19th centuries. Cameos and intaglios were prized and collected, sometimes as symbols of power and mounted in jewelled settings, sometimes as small objects for private devotion or enjoyment.

An intaglio carving is cut into the surface of the material and a cameo is in relief. The art of gemstone carving was known in ancient Greece and Rome and revived in Renaissance Italy, when connoisseurs began to form rich collections of engraved stones.

Shell cameos are much easier to cut than those made from gemstones. Also, the raw material is cheaper and easier to acquire. They were popular in the 16th century and then again in the 18th and 19th centuries, when the passion for carved gemstones led to a parallel explosion in the market for cheaper shell cameos. They are still popular today.


Object details

Categories
Object type
TitleThree Portrait Heads (generic title)
Materials and techniques
Shell, in silver gilt setting
Brief description
Cameo, depicting three heads, by an unknown artist, Germany, 18th century
Physical description
The cameo shows three overlapping heads of women in profile facing to the left.
Dimensions
  • Approximate width: 26mm
  • Approximate height: 24mm
Dimensions uneven and obscured by setting
Object history
Bought, 18s
Subject depicted
Summary
This cameo depicting three overlapping heads of women facing to the left is made by an unknown artist in Germany in the 18th century.

The art of engraving gemstones has been admired since the early days of the Roman empire. It was revived in Europe during the Renaissance, and again in the 18th and 19th centuries. Cameos and intaglios were prized and collected, sometimes as symbols of power and mounted in jewelled settings, sometimes as small objects for private devotion or enjoyment.

An intaglio carving is cut into the surface of the material and a cameo is in relief. The art of gemstone carving was known in ancient Greece and Rome and revived in Renaissance Italy, when connoisseurs began to form rich collections of engraved stones.

Shell cameos are much easier to cut than those made from gemstones. Also, the raw material is cheaper and easier to acquire. They were popular in the 16th century and then again in the 18th and 19th centuries, when the passion for carved gemstones led to a parallel explosion in the market for cheaper shell cameos. They are still popular today.
Bibliographic reference
Inventory of Art Objects Acquired in the Year 1858. In: Inventory of the Objects in the Art Division of the Museum at South Kensington, Arranged According to the Dates of their Acquisition. Vol I. London: Printed by George E. Eyre and William Spottiswoode for H.M.S.O., 1868, p. 3
Collection
Accession number
4890-1858

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Record createdMarch 12, 2009
Record URL
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