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Not currently on display at the V&A

Painting

ca. 1740 (made)
Artist/Maker
Place of origin

This small painting is typical of work done in the eighteenth century in the Rajasthani courts of Bikaner and neighbouring Jodhpur. Paintings showing ladies indulging in pastimes like flying a kite, playing with a yoyo or combing their hair were intended as gifts to the ruler on auspicious occasions like Diwali, Holi or his birthday. This lady is painted in the distinctive western Rajasthani style of the period, with her large, curving eye, small pursed lips and shaded cheeks. This style of painting evolved in Jodhpur, but was also used in Bikaneri painting as artists moved freely between the two courts. The dark plum-coloured background is used in some other paintings that have inscriptions by Bikaner artists on the reverse, so we can conclude that this one was probably also painted in Bikaner.


Object details

Categories
Object type
Materials and techniques
Painted in opaque watercolour on paper
Brief description
Painting, lady flying kite, painted on paper, Bikaner or Jodhpur, ca. 1740
Physical description
A small rectangular painting in opaque watercolour on paper showing a lady against a plum-coloured background, with a cloudy sky above. In the top left-hand corner of the painting is the kite she is flying.
Dimensions
  • Height: 16.8cm
  • Width: 10cm
Content description
A lady against a plum-coloured background, with a cloudy sky above. In the top left-hand corner of the painting is the kite she is flying.
Style
Object history
Purchased from Maggs Brothers in a group (IS 552 to 558-1952)
Subjects depicted
Summary
This small painting is typical of work done in the eighteenth century in the Rajasthani courts of Bikaner and neighbouring Jodhpur. Paintings showing ladies indulging in pastimes like flying a kite, playing with a yoyo or combing their hair were intended as gifts to the ruler on auspicious occasions like Diwali, Holi or his birthday. This lady is painted in the distinctive western Rajasthani style of the period, with her large, curving eye, small pursed lips and shaded cheeks. This style of painting evolved in Jodhpur, but was also used in Bikaneri painting as artists moved freely between the two courts. The dark plum-coloured background is used in some other paintings that have inscriptions by Bikaner artists on the reverse, so we can conclude that this one was probably also painted in Bikaner.
Bibliographic references
  • W.G.Archer, Indian Miniatures, London, 1960, plate 56. Exhibition catalogue: The Indian Heritage, Court Life and Arts under Mughal Rule, London, 1982, cat.no.148 (not illustrated).
  • Jackson, Anna and Jaffer, Amin (eds), with Deepika Ahlawat. Maharaja : the splendour of India's royal courts. London, V&A Publishing, 2009. ISBN.9781851775736 (hbk.), ISBN.1851775730 (hbk.). Plate 118, page 145
  • Jackson, Anna and Ji Wei (eds.) with Rosemary Crill, Ainsley M. Cameron and Nicholas Barnard, compiled by the Palace Museum, translated by Yuan Hong, Qi Yue and Liu Ran. The Splendour of India' Royal Courts : Collection of the Victoria and Albert Museum. Beijing: the Forbidden City Publishing House, 2013. Text in English and Chinese. ISBN 9787513403917. pps.88 and 89
  • Topsfield, Andrew, cat. no. 148, p. 60
Collection
Accession number
IS.555-1952

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Record createdMarch 9, 2009
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