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Lourdes

Photograph
1958 (Made)
Artist/Maker
Place of origin

The Victoria and Albert Museum has over 440 photographs by Henri Cartier-Bresson (1908-2004), a French photographer who is considered to be one of the fathers of photojournalism and masters of candid photography. He sought to capture the 'everyday' in his photographs and took great interest in recording human activity. He wrote, "For me the camera is a sketch book, an instrument of intuition and spontaneity, the master of the instant which, in visual terms, questions and decides simultaneously. In order to 'give a meaning' to the world, one has to feel involved in what one frames through the viewfinder. This attitude requires concentration, discipline of mind, sensitivity, and a sense of geometry. It is by economy of means that one arrives at simplicity of expression."

As a reporter and co-founder of the Magnum photography agency, Cartier-Bresson accepted his responsibility to supply information to a world in a hurry. He documented the liberation of Paris, the collapse of the Nationalist regime in China, Gandhi's funeral and the partitioning of Berlin. Cartier-Bresson helped develop the street photography style that has influenced generations of photographers that followed.


Object details

Category
Object type
TitleLourdes (popular title)
Materials and techniques
Gelatin silver print
Brief description
Black and white photograph by Cartier-Bresson depicting nuns on the steps of a church at Lourdes. France, 1958.
Physical description
Black and white photograph shot from a low vantage point looking up some stone steps. The wall to the side of these steps curves upwards, dominating and dividing the picture plane. A large crowd of nuns gather on the steps, along with a number of priests and journalists towards the back.
Dimensions
  • Length: 39.5cm
  • Height: 29.5cm
Dimensions taken from departmental notes
Gallery label
Henri Cartier-Bresson (1908–2004) Nuns on the Steps of the Church at Lourdes 1958 Lourdes is one of the world’s most important Catholic pilgrimage sites. Here a crowd of nuns has gathered, perhaps to watch a procession. Two cameras are positioned near the top of the stairs to capture the proceedings, but Cartier- Bresson has decided to turn his camera towards the onlookers, rather than the event itself. Gelatin silver print Museum no. PH.512-1978(23/7/2016-5/3/2017)
Subjects depicted
Place depicted
Summary
The Victoria and Albert Museum has over 440 photographs by Henri Cartier-Bresson (1908-2004), a French photographer who is considered to be one of the fathers of photojournalism and masters of candid photography. He sought to capture the 'everyday' in his photographs and took great interest in recording human activity. He wrote, "For me the camera is a sketch book, an instrument of intuition and spontaneity, the master of the instant which, in visual terms, questions and decides simultaneously. In order to 'give a meaning' to the world, one has to feel involved in what one frames through the viewfinder. This attitude requires concentration, discipline of mind, sensitivity, and a sense of geometry. It is by economy of means that one arrives at simplicity of expression."

As a reporter and co-founder of the Magnum photography agency, Cartier-Bresson accepted his responsibility to supply information to a world in a hurry. He documented the liberation of Paris, the collapse of the Nationalist regime in China, Gandhi's funeral and the partitioning of Berlin. Cartier-Bresson helped develop the street photography style that has influenced generations of photographers that followed.
Collection
Accession number
PH.512-1978

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Record createdMarch 9, 2009
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