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Poster promoting The Who's single 'I Can See for Miles'

Poster
1968 (designed)
Artist/Maker
Place of origin

Michael English (1941–2009) and Nigel Waymouth (born 1941) were a collaborative duo known as Hapshash and the Coloured Coat who designed psychedelic posters for many bands. They used forms inspired by Art Nouveau artists, such as Alphonse Mucha (1860–1939), and pop art. A characteristic of their design was a rainbow blending of metallic and Day-Glo inks.
This poster shows mastery of rainbow colour blending in several layers. The artists ensured that the different layers did not mix by varying the viscosity of the inks. The colours were laid together at the edge of the screen and the squeegee blended the colours together as it is pulled the inks across the screen. In this poster, the red runs into yellow, then silver runs into gold (the stars) and finally blue blends from dark to light. The blue is noticeably thick on top of the other layers.


Object details

Categories
Object type
TitlePoster promoting The Who's single 'I Can See for Miles' (generic title)
Materials and techniques
Screenprint
Brief description
Screenprint, with blended colours. Hapshash and the Coloured Coat (Michael English and Nigel Waymouth). Poster promoting The Who's single 'I Can See for Miles', Great Britain, 1968.
Physical description
Screenprint promoting The Who's single 'I Can See for Miles'. The Who are shown in fanciful clothes on a high vantage point, invoking magical seeing powers. The artists used a double blending technique, one separation graduates from red to yellow while another goes from gold to silver.
Dimensions
  • Height: 756mm
  • Width: 503mm
Object history
The poster would have resulted from Joe Boyd's connections with the managers of The Who and also the fact that Pete Townshend and Michael English went to Ealing Art School together.
Subjects depicted
Summary
Michael English (1941–2009) and Nigel Waymouth (born 1941) were a collaborative duo known as Hapshash and the Coloured Coat who designed psychedelic posters for many bands. They used forms inspired by Art Nouveau artists, such as Alphonse Mucha (1860–1939), and pop art. A characteristic of their design was a rainbow blending of metallic and Day-Glo inks.
This poster shows mastery of rainbow colour blending in several layers. The artists ensured that the different layers did not mix by varying the viscosity of the inks. The colours were laid together at the edge of the screen and the squeegee blended the colours together as it is pulled the inks across the screen. In this poster, the red runs into yellow, then silver runs into gold (the stars) and finally blue blends from dark to light. The blue is noticeably thick on top of the other layers.
Collection
Accession number
E.1720-1991

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Record createdMarch 2, 2009
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