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Album - Alexander Constantine Ionides Album
  • Alexander Constantine Ionides Album
    Anonymous: 17th Century Italian, born 1600 - died 1699
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Alexander Constantine Ionides Album

  • Object:

    Album

  • Place of origin:

    Italy (made)

  • Date:

    seventeenth century (made)

  • Artist/Maker:

    Anonymous: 17th Century Italian, born 1600 - died 1699 (made by)
    Blake, William, born 1757 - died 1827 (designed and made by)
    Ionides, Alexander Constantine, born 1810 - died 1890 (designed and made by)

  • Materials and Techniques:

    engraving

  • Credit Line:

    Purchased with Art Fund support and assistance from the Friends of the V&A, the Julie and Robert Breckman Print Fund, and the Marks Trust

  • Museum number:

    E.1349:4-2001

  • Gallery location:

    Prints & Drawings Study Room, level C, case 91, shelf F, box 7

Physical description

Page from the Alexander Constantine Ionides Album. Fol 1v: E.1349:4-2001; Italian, 17th century, Madonna and Child, etching,
152 x 116mm (oval)

Place of Origin

Italy (made)

Date

seventeenth century (made)

Artist/maker

Anonymous: 17th Century Italian, born 1600 - died 1699 (made by)
Blake, William, born 1757 - died 1827 (designed and made by)
Ionides, Alexander Constantine, born 1810 - died 1890 (designed and made by)

Materials and Techniques

engraving

Dimensions

Height: 15.2 cm, Width: 11.7 cm

Object history note

Structure and contents of the prints and drawings album of A.C. Ionides

18th or early 19th century album, 54 fols., 235 x 180 mm.

Case binding of half maroon leather with paper sides, blind roll tooled across corners and down board edge at joint, three line gold tooling across spine to make five panels into which a centre decoration of lyres has been tooled in gold. The album is double-sided, to accommodate prints from one end and drawings from the other (stamped PRINTS and DRAWINGS in gold on the spine).

The book block comprises eight gatherings of various coloured papers (ivory, grey, pink, brown, green, buff, blue). Originally each gathering appears to have been made up of three sheets of folio quired with added compensation guards. Some leaves have been cut out and in other instances prints or drawings have been tipped to the compensation guards. The book block has been sewn all along on two parchment tapes and its first and last leaves have been adhered to the case as the pastedown.

Many of the prints in the album have been trimmed. Unless stated as plate sizes, paper sizes are given.

Following its acquisition, the album was foliated continuously from the start of the PRINTS section on fol. 1r to the start of the DESIGNS section on fol.54v. As a result, the folio sequence appears to run in reverse when approached from the start of the DESIGNS section on fol. 54v. The contents of the album have also been individually inventoried, from E.1349:1-2001 to E.1349:94-2001.

In the following list, numbers prefixed by the letters 'F', 'L' and 'B' refer, respectively, to the catalogue numbers in A.J. FINBERG, 'Edward Calvert's Engravings', The Print Collector's Quarterly, 17 [1930], pp.139-53, R. LISTER, Edward Calvert, London [1962] and D. BINDMAN, The Complete Graphic Works of William Blake, London [1978]. Bartsch references are to The Illustrated Bartsch, 1, Netherlandish Artists (ed. L.J. SLATKES), New York [1978].

Descriptive line

Alexander Constantine Ionides Album

Bibliographic References (Citation, Note/Abstract, NAL no)

Evans, Mark, 'Blake, Calvert - and Palmer? The album of Alexander Constantine Ionides', Burlington Magazine, CXLIV, September 2002, pp. 539-54

Materials

Paper

Techniques

Etching

Subjects depicted

Religion (concept)

Categories

Prints

Collection

Prints, Drawings & Paintings Collection

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