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Gugliemo Pitt [William Pitt] (1759-1806) Prime Minister

Print
ca.1785 (made)
Artist/Maker
Place of origin

This portrait by Carlo Lasinio (1759–1838) is an early example of stippling techniques. The background is etched in loops. The face is precisely stippled while the lace is more loosely rendered. Only the jacket, hair and eyes are expressed in engraved lines.
This image has been colour printed. Under a magnifier the colours take the shape of the etched marks while hand-colouring would be visible as brushstrokes. The plate was inked in colours for printing all at the same time, a method called à la poupée from the French word for doll, reflecting the shape of the ink dabber. We know this because the colours blend where they meet rather than overlap, for example, a hint of blue has encroached on the hair to the left.


Object details

Categories
Object type
TitleGugliemo Pitt [William Pitt] (1759-1806) Prime Minister
Materials and techniques
Colour stipple, engraving and etching
Brief description
Colour stipple and etching, with some engraving, printed in colours applied to single plate (à la poupée). Carlo Lasinio after a portrait by R. Benwell. Guglielmo Pitt (William Pitt), publsihed by Pagni and Bardi, Florence, ca. 1785.
Physical description
General Description: Guglielmo Pitt [William Pitt] (1759-1806) Prime Minister. Portrait, head and shoulders in an oval, Italian, c.1785. Published by Pagni & Bardi, Florence. Lettered with sitter's name, name of publisher and R. Benwell dis: Carlo Lasinio inc.
Dimensions
  • Size of plate height: 21.6cm
  • Size of plate width: 14.5cm
  • Size of sheet height: 22cm
  • Size of sheet width: 14.6cm
Size of plate 21.6 x 14.5 cm Size of sheet 22 x 14.6 cm
Credit line
Bequeathed by Frank A. Gibson
Object history
Notes: In 1799 a miniaturist Mary Benwell (Mrs. Code) (fl.1762-91) presented her self-portrait to the Uffizi, Florence.
Summary
This portrait by Carlo Lasinio (1759–1838) is an early example of stippling techniques. The background is etched in loops. The face is precisely stippled while the lace is more loosely rendered. Only the jacket, hair and eyes are expressed in engraved lines.
This image has been colour printed. Under a magnifier the colours take the shape of the etched marks while hand-colouring would be visible as brushstrokes. The plate was inked in colours for printing all at the same time, a method called à la poupée from the French word for doll, reflecting the shape of the ink dabber. We know this because the colours blend where they meet rather than overlap, for example, a hint of blue has encroached on the hair to the left.
Collection
Accession number
E.1124-1990

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Record createdFebruary 18, 2009
Record URL
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