Mir Jumla thumbnail 1
Not currently on display at the V&A

Mir Jumla

Painting
ca. 1618-20 (made)
Artist/Maker
Place of origin

This page from a royal Mughal album bears a Persian inscription in black ink identifying the person depicted, Mir Jumla, and the artist, Shiv Das. Mir Jumla was the title of Mir Muhammad Amin, an Iranian from a prominent family in Isfahan. He travelled from Iran to the Deccan and entered the service of the Qutb Shahi ruler of Golconda who gave him the title. After some years, he returned to Iran, but arrived at the court of the Mughal emperor Jahangir (r. 1605-1627) in 1618. Mir Jumla was soon given high office, being appointed Khan-i Saman, the equivalent of Lord Chamberlain, as early as 1620. He kept this position under Jahangir's son and successor, Shah Jahan, and died in 1637.
The portrait was probably painted by Shiv Das between Mir Jumla's arrival in the Mughal empire in 1618 and his promotion in 1620. Little is known about the artist other than that he worked in the royal atelier in the late 16th and early 17th century under Akbar (r.1556-1605), and remained there during Jahangir's reign, but his surviving work is relatively rare. The borders surrounding the painting, densely decorated with gold flowering plants, Chinese clouds and hovering insects on indigo-dyed paper, were almost certainly also done in Jahangir's reign.


Object details

Categories
Object type
TitleMir Jumla (generic title)
Materials and techniques
Painted in opaque watercolour and gold on paper
Brief description
Painting, Mir Jumla, Lord Chamberlain to Jahangir, attributed to Shiv Das, opaque watercolour and gold on paper, Mughal, ca. 1618-20; indigo borders painted with flowering plants, Chinese clouds and flying insects, in gold
Physical description
Painting, opaque watercolour and gold on paper, Mir Jumla, ascribed to Shiv Das. Mir Jumla is depicted standing facing left on a brown ground. The gold ground border surrounding him is filled with ornamented verses in Persian cut from another sheet and pasted onto the page. The indigo-dyed paper of the outer border is filled with gold blossoming plants. The subject and artist are identified in the black Persian inscription on the lower border on undyed paper between the indigo border and the portrait.
Dimensions
  • Page height: 39cm
  • Page width: 26.3cm
  • Painting height: 13.1cm
  • Painting minus border width: 7cm
Content description
Mir Jumla by Shiv Das. Mir Jumla is depicted standing facing left on a brown ground. A gold ground border surrounding him is filled with ornamented verses in Persian cut from another sheet and pasted onto the page. The indigo-coloured outer border is filled with gold blossoming plants.
Styles
Marks and inscriptions
shabih-e mir jumla amal-e shiv das (There is also a small oval seal stamp at lower right. )
Translation
Likeness of Mir Jumla, the work of Shiv Das
Gallery label
MIR JUMLA Opaque watercolour and gold on paper Mughal, by Shiv Das c. 1618-20, borders c. 1620-30 IM.121-1921 From the Wantage Album Mir Jumla belonged to a prominent Iranian family. He left Isfahan to enter the emperor Jahangir’s service in 1618. He was soon given the very high position of Khan-i Saman, or Lord Chamberlain. This painting was probably done shortly after his arrival at court. It is a rare example of work by the artist Shiv Das, who is named in the Persian inscription in the lower border that also identifies Mir Jumla.(27/9/2013)
Credit line
Bequeathed by Lady Wantage
Object history
The portrait done for Jahangir was inserted into a royal album, probably during his reign.
It was bequeathed by Lady Wantage in 1921
Subjects depicted
Summary
This page from a royal Mughal album bears a Persian inscription in black ink identifying the person depicted, Mir Jumla, and the artist, Shiv Das. Mir Jumla was the title of Mir Muhammad Amin, an Iranian from a prominent family in Isfahan. He travelled from Iran to the Deccan and entered the service of the Qutb Shahi ruler of Golconda who gave him the title. After some years, he returned to Iran, but arrived at the court of the Mughal emperor Jahangir (r. 1605-1627) in 1618. Mir Jumla was soon given high office, being appointed Khan-i Saman, the equivalent of Lord Chamberlain, as early as 1620. He kept this position under Jahangir's son and successor, Shah Jahan, and died in 1637.
The portrait was probably painted by Shiv Das between Mir Jumla's arrival in the Mughal empire in 1618 and his promotion in 1620. Little is known about the artist other than that he worked in the royal atelier in the late 16th and early 17th century under Akbar (r.1556-1605), and remained there during Jahangir's reign, but his surviving work is relatively rare. The borders surrounding the painting, densely decorated with gold flowering plants, Chinese clouds and hovering insects on indigo-dyed paper, were almost certainly also done in Jahangir's reign.
Bibliographic references
  • The art of India and Pakistan, a commemorative catalogue of the exhibition held at the Royal Academy of Arts, London, 1947-8. Edited by Sir Leigh Ashton. London: Faber and Faber, [1950] p. 164, cat. no. 747
  • Clarke, C. Stanley; Indian Drawings: Thirty Mogul Paintings of the School of Jehangir and Four Panels of Calligraphy ini the Wantage Bequest. London 1922 No. 14, pl. 14
Collection
Accession number
IM.121-1921

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdFebruary 13, 2009
Record URL
Download as: JSONIIIF Manifest