Agony in the Garden
Relief
ca. 1530-1535 (made)
ca. 1530-1535 (made)
Artist/Maker | |
Place of origin |
Victor Kayser who became Master in Augsburg seems to have specialised exclusively in small-scale carvings in Solnhofen limestone, giving them a highly polished surface. They either formed elements of altarpieces like this relief or served as individual devotional pieces.
Object details
Category | |
Object type | |
Title | Agony in the Garden (generic title) |
Materials and techniques | limestone and carved |
Brief description | Relief, Agony in the garden; limestone. Swabian (Augusburg), ca. 1530-1535. |
Physical description | Christ, with rays in form of a cross emanating behind his head, kneels against a rocky background, turning to the right. His left arm uis outstretched towards the angel above him, while his right hand is raised. The flying angel holds a chalice surmounted by a cross in his right hand, his left hand expressing a gesture of grief. To Christ's left side is seated St John, resting his head on his hand, while St Peter lies across the foreground with the sword before him. In the foreground on the right St James is seen crouched in profile. Visible in the distance are the walls and towers of Jerusalem; Judas is shown in dialogue with two soldiers, pointing with his right arm towards Christ; other soldiers pass through a gateway, and another figure is shown climbing over the fence next to it |
Dimensions |
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Style | |
Credit line | Murray Bequest |
Object history | Formerly in the collection of Sir Francis Cook, Doughty House, Richmond. Bought in London from F.A.Drey together with A.41-1947 for £750. Historical significance: Kayser seems to have specialised exclusively in small-scale carvings in Solnhofen limestone, giving them a highly polished surface, unlike marble. |
Historical context | This relief formed part of an altarpiece or served as an individual devotional piece. |
Subjects depicted | |
Literary reference | Agony in the Garden |
Summary | Victor Kayser who became Master in Augsburg seems to have specialised exclusively in small-scale carvings in Solnhofen limestone, giving them a highly polished surface. They either formed elements of altarpieces like this relief or served as individual devotional pieces. |
Bibliographic references |
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Collection | |
Accession number | A.42-1947 |
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Record created | February 11, 2009 |
Record URL |
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