Not currently on display at the V&A

Chain with decorative rosettes

Chain
ca.1830 (made)
Artist/Maker
Place of origin

This carved chain of walrus ivory consists of thirteen plaques, pierced with rosettes. Each plaque is united to the next by eight chains of small circular links. It is probably made in Russia in Archangel. There are also connections with Russian ivories made in Archangel: the medallions seen here also bear comparisons with other decorative forms on items produced there. Russia has a long tradition of ivory carving, going back to at least the twelfth century. In the seventeenth and eighteenth centuries Moscow and the Russian Court were important centres of artistic patronage, which included commissioning works in ivory. The few Russian ivories in the V&A collection are dominated by those from Cholmogory, near Archangel, in North East Russia. Here a tradition of making decorative objects in walrus ivory, such as caskets and jewellery, grew up in the nineteenth century.


Object details

Category
Object type
TitleChain with decorative rosettes (named collection)
Materials and techniques
Carved walrus ivory and ribbon
Brief description
Chain, carved walrus ivory, with decorative rosettes, Russia (Archangel), ca. 1830
Physical description
Chain of carved walrus ivory, consisting of thirteen plaques, pierced with rosettes; each plaque being united to the next by eight chains of small circular links.
Dimensions
  • Length: 147cm
  • Width: 0.625in
Object history
Given by Miss F. M. Grant, St Leonards on Sea, Sussex in 1896.
Subject depicted
Summary
This carved chain of walrus ivory consists of thirteen plaques, pierced with rosettes. Each plaque is united to the next by eight chains of small circular links. It is probably made in Russia in Archangel. There are also connections with Russian ivories made in Archangel: the medallions seen here also bear comparisons with other decorative forms on items produced there. Russia has a long tradition of ivory carving, going back to at least the twelfth century. In the seventeenth and eighteenth centuries Moscow and the Russian Court were important centres of artistic patronage, which included commissioning works in ivory. The few Russian ivories in the V&A collection are dominated by those from Cholmogory, near Archangel, in North East Russia. Here a tradition of making decorative objects in walrus ivory, such as caskets and jewellery, grew up in the nineteenth century.
Bibliographic references
  • List of Objects in the Art Division South Kensington Museum acquired during the Year 1896. Arranged according to the dates of acquisition, with appendix and indices. London: Her Majesty's Stationary Office. Wyman and Sons, 1900, p. 76
  • Longhurst, Margaret, H. Catalogue of Carvings in Ivory. II. London: The Board of Education, 1929, p.122
  • Trusted, Marjorie, Baroque & Later Ivories, Victoria & Albert Museum, London, 2013, cat. no. 322, p. 326
Collection
Accession number
478-1896

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Record createdFebruary 9, 2009
Record URL
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