Chain with decorative rosettes
Chain
ca.1830 (made)
ca.1830 (made)
Artist/Maker | |
Place of origin |
This carved chain of walrus ivory consists of thirteen plaques, pierced with rosettes. Each plaque is united to the next by eight chains of small circular links. It is probably made in Russia in Archangel. There are also connections with Russian ivories made in Archangel: the medallions seen here also bear comparisons with other decorative forms on items produced there. Russia has a long tradition of ivory carving, going back to at least the twelfth century. In the seventeenth and eighteenth centuries Moscow and the Russian Court were important centres of artistic patronage, which included commissioning works in ivory. The few Russian ivories in the V&A collection are dominated by those from Cholmogory, near Archangel, in North East Russia. Here a tradition of making decorative objects in walrus ivory, such as caskets and jewellery, grew up in the nineteenth century.
Object details
Category | |
Object type | |
Title | Chain with decorative rosettes (named collection) |
Materials and techniques | Carved walrus ivory and ribbon |
Brief description | Chain, carved walrus ivory, with decorative rosettes, Russia (Archangel), ca. 1830 |
Physical description | Chain of carved walrus ivory, consisting of thirteen plaques, pierced with rosettes; each plaque being united to the next by eight chains of small circular links. |
Dimensions |
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Object history | Given by Miss F. M. Grant, St Leonards on Sea, Sussex in 1896. |
Subject depicted | |
Summary | This carved chain of walrus ivory consists of thirteen plaques, pierced with rosettes. Each plaque is united to the next by eight chains of small circular links. It is probably made in Russia in Archangel. There are also connections with Russian ivories made in Archangel: the medallions seen here also bear comparisons with other decorative forms on items produced there. Russia has a long tradition of ivory carving, going back to at least the twelfth century. In the seventeenth and eighteenth centuries Moscow and the Russian Court were important centres of artistic patronage, which included commissioning works in ivory. The few Russian ivories in the V&A collection are dominated by those from Cholmogory, near Archangel, in North East Russia. Here a tradition of making decorative objects in walrus ivory, such as caskets and jewellery, grew up in the nineteenth century. |
Bibliographic references |
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Collection | |
Accession number | 478-1896 |
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Record created | February 9, 2009 |
Record URL |
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