Design for stage Scene: 'The Hour Glass' by W B Yeats. thumbnail 1
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Design for stage Scene: 'The Hour Glass' by W B Yeats.

Drawing
1910 (made)
Artist/Maker
Place of origin

Edward Gordon Craig (1872-1966) was born in Stevenage, Hertfordshire. He was the illegitimate son of Edwin Gordon and the actress Ellen Alice Terry. During his career, he worked first as an Actor, but then as a Theatre Director, Designer and Wood Engraver. He is often viewed as a pioneer of modern stage craft whose influence has shaped theatre techniques and performance today.

While still working as an actor, Craig met artist and designer James Pryde on a train. This was his introduction to print-making. Pryde's brother-in-law William Nicholson subsequently taught Craig the technique of wood-engraving.

While Pryde and Nicholson found fame as poster makers under the name the 'Beggarstaff Brothers', Craig - who enjoyed the challenge of wood-engraving - created works of art for pleasure as well as commercial gain. He exhibited and sold prints throughout his life to generate income, but more importantly he used them as a means of exploring and disseminating his revolutionary ideas about the theatre.

Using the controlled practices of wood-cutting, wood-engraving and etching, as well as freer techniques such as watercolour, Craig investigated the core elements of dramatic art: movement, light, space and the performers.


Object details

Categories
Object type
TitleDesign for stage Scene: 'The Hour Glass' by W B Yeats. (popular title)
Materials and techniques
Watercolour
Brief description
Design for stage Scene: 'The Hour Glass' by W B Yeats. Produced at the Abbey Theatre, Dublin. Signed GC 1910. Watercolour.
Physical description
Design for a stage scene for 'The Hour Glass' by W. B. Yeats
Dimensions
  • Sheet height: 18cm
  • Sheet width: 26.5cm
  • Image height: 13.5cm
  • Image width: 26.5cm
Marks and inscriptions
G C 1910 (Signed)
Gallery label
Design for The Hour Glass by William Butler Yeats 1910 Edward Gordon Craig Yeats's plays are poetic, and Craig's abstract stage environments suited them well. He re-designed The Hour Glass for Yeats, who revived the production using screens at the Abbey Theatre, Dublin in 1913. Contemporary critic Arthur Symons welcomed the move towards symbolism on the stage: 'He gives us a suggestion instead of a reality, a symbol instead of an imitation.' Watercolour Museum no. E.143-1922
Object history
Produced at the Abbey Theatre, Dublin.
Note by E Gordon Craig, Esq: "Scene composed from the screens presented to W B Yeats and Lady Gregory by E G C and used in this play Jan. 12. 1911 and in other plays"
Subject depicted
Place depicted
Literary reference'The Hour Glass' by W B Yeats
Summary
Edward Gordon Craig (1872-1966) was born in Stevenage, Hertfordshire. He was the illegitimate son of Edwin Gordon and the actress Ellen Alice Terry. During his career, he worked first as an Actor, but then as a Theatre Director, Designer and Wood Engraver. He is often viewed as a pioneer of modern stage craft whose influence has shaped theatre techniques and performance today.

While still working as an actor, Craig met artist and designer James Pryde on a train. This was his introduction to print-making. Pryde's brother-in-law William Nicholson subsequently taught Craig the technique of wood-engraving.

While Pryde and Nicholson found fame as poster makers under the name the 'Beggarstaff Brothers', Craig - who enjoyed the challenge of wood-engraving - created works of art for pleasure as well as commercial gain. He exhibited and sold prints throughout his life to generate income, but more importantly he used them as a means of exploring and disseminating his revolutionary ideas about the theatre.

Using the controlled practices of wood-cutting, wood-engraving and etching, as well as freer techniques such as watercolour, Craig investigated the core elements of dramatic art: movement, light, space and the performers.
Collection
Accession number
E.143-1922

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Record createdFebruary 4, 2009
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