Dish
1700-1720 (made)
Artist/Maker | |
Place of origin |
This dish is an example of the type of porcelain made in early 18th-century Japan for export to Europe. The areas of dark blue were achieved by painting with cobalt oxide under a clear glaze and firing to a high temperature in a reducing atmosphere - one in which the kiln is starved of oxygen so that the burning fuel draws chemically bonded oxygen from the reactive parts of the ceramic material, leaving them in a reduced state and changing their colour. The gold, red and other enamel colours were applied and fused on in subsequent, low-temperature firings. The distinctive so-called Imari-style colour scheme was much copied by 18th-century European manufacturers. The term Imari comes from the name of the port in western Japan through which this and other products of the nearby Arita kilns were shipped. Porcelains for export were sent to Nagasaki and then shipped abroad by Chinese and Dutch merchants, the Dutch, who were based on the island of Dejima, being the only Europeans permitted to conduct trade in Japan at this time. The pattern on this dish was copied in England at the Worcester porcelain manufactory in around 1765 (see V&A 3193-1901). The copies were possibly made to replace plates damaged during use at table.
Object details
Categories | |
Object type | |
Materials and techniques | Porcelain painted in underglaze blue, overglaze enamels, and gold |
Brief description | Dish, porcelain, fluted, painted in underglaze blue, overglaze enamels and gold, Japan, Arita, 1700-1720 |
Physical description | Dish, circular, fluted and with scalloped edge divided into sixteen panels painted with diaper and floral motifs in the Imari-style palette; the centre painted with a floral device in red and gold |
Dimensions |
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Styles | |
Marks and inscriptions | Six-character Chinese reign mark of the Jiajing period (1522-66) (Mark in blue on base) |
Credit line | W.W. Aston Bequest |
Summary | This dish is an example of the type of porcelain made in early 18th-century Japan for export to Europe. The areas of dark blue were achieved by painting with cobalt oxide under a clear glaze and firing to a high temperature in a reducing atmosphere - one in which the kiln is starved of oxygen so that the burning fuel draws chemically bonded oxygen from the reactive parts of the ceramic material, leaving them in a reduced state and changing their colour. The gold, red and other enamel colours were applied and fused on in subsequent, low-temperature firings. The distinctive so-called Imari-style colour scheme was much copied by 18th-century European manufacturers. The term Imari comes from the name of the port in western Japan through which this and other products of the nearby Arita kilns were shipped. Porcelains for export were sent to Nagasaki and then shipped abroad by Chinese and Dutch merchants, the Dutch, who were based on the island of Dejima, being the only Europeans permitted to conduct trade in Japan at this time. The pattern on this dish was copied in England at the Worcester porcelain manufactory in around 1765 (see V&A 3193-1901). The copies were possibly made to replace plates damaged during use at table. |
Collection | |
Accession number | C.1101-1917 |
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Record created | January 13, 2009 |
Record URL |
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