Life in Philadelphia. Romeo and Juliet
Print
ca. 1830 (published)
ca. 1830 (published)
Artist/Maker | |
Place of origin |
This aquatint by C. Hunt is one of the plates published by W.H. Isaacs of Charles Street, London in the 1830s after the original American series Life in Philadelphia. The fourteen-plate series was originally produced by Edward Williams Clay (1799-1857) and published in Philadelphia by William Simpson who published the first eleven plates, Sarah Hart and Son who published plates twelve and thirteen, and Sarah Hart alone who published plate fourteen in 1830. The first English reprint of the series was produced by Gabriel Shear Tregear (1802-1841 who operated his' Humorous and Sporting Print Shop' in London’s Cheapside
The original series was a set of cartoons that Clay began drawing in 1828 after he had seen George and Robert Cruikshank’s Life in London prints on a trip to England. Clay’s racist and anti-abolitionist caricatures were accompanied by ‘black’ dialect, depicting free blacks imitating white fashion, pastimes and courtship
In about 1831 W.H and H. Isaacs also republished Anthony Imbert’s 1830 Life in New York series, published in 1830 after the success of Clay’s original Philadelphia prints.
The original series was a set of cartoons that Clay began drawing in 1828 after he had seen George and Robert Cruikshank’s Life in London prints on a trip to England. Clay’s racist and anti-abolitionist caricatures were accompanied by ‘black’ dialect, depicting free blacks imitating white fashion, pastimes and courtship
In about 1831 W.H and H. Isaacs also republished Anthony Imbert’s 1830 Life in New York series, published in 1830 after the success of Clay’s original Philadelphia prints.
Object details
Categories | |
Object type | |
Title | Life in Philadelphia. Romeo and Juliet (published title) |
Materials and techniques | aquatint hand-coloured |
Brief description | Satirical print entitled Life in Philadelphia, Romeo & Juliet. Aquatint published by W.H. Isaacs from an engraving by C. Hunt after E.W. Clay (1799-1857). Harry Beard Collection. |
Physical description | Satirical colour image entitled Life in Philadelphia. Romeo and Juliet |
Dimensions |
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Credit line | Harry R. Beard Collection, given by Isobel Beard |
Literary reference | Romeo and Juliet |
Summary | This aquatint by C. Hunt is one of the plates published by W.H. Isaacs of Charles Street, London in the 1830s after the original American series Life in Philadelphia. The fourteen-plate series was originally produced by Edward Williams Clay (1799-1857) and published in Philadelphia by William Simpson who published the first eleven plates, Sarah Hart and Son who published plates twelve and thirteen, and Sarah Hart alone who published plate fourteen in 1830. The first English reprint of the series was produced by Gabriel Shear Tregear (1802-1841 who operated his' Humorous and Sporting Print Shop' in London’s Cheapside The original series was a set of cartoons that Clay began drawing in 1828 after he had seen George and Robert Cruikshank’s Life in London prints on a trip to England. Clay’s racist and anti-abolitionist caricatures were accompanied by ‘black’ dialect, depicting free blacks imitating white fashion, pastimes and courtship In about 1831 W.H and H. Isaacs also republished Anthony Imbert’s 1830 Life in New York series, published in 1830 after the success of Clay’s original Philadelphia prints. |
Other number | F.33-27 - H Beard collection numbering |
Collection | |
Accession number | S.393-2009 |
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Record created | January 12, 2009 |
Record URL |
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