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Image of Gallery in South Kensington
On display at V&A South Kensington
Medieval & Renaissance, Room 62, The Foyle Foundation Gallery

Design for grotesque ornament

Print
1556 (engraved)
Artist/Maker
Place of origin

Cornelis Floris was one of the foremost inventors of this style of grotesque decoration which incorporates disturbing imagery of human figures trapped within boney and gristly structures. The nightmarish quality of the central area is enlivened by the playfulness of the putti across the top, the fish which swims down the tree trunk and the comical snails which lend a humourous streak to such compositions. The masks, grotesques and strapwork seen in this example were common features of Mannerism and were a new contribution to ornamental design which was much admired and copied in northern Europe. Antwerp was a major centre of printmaking and distribution, with Cornelis Floris one of its most prolific printmakers. Prints such as this spread these styles across Europe.


Object details

Categories
Object type
TitleDesign for grotesque ornament (generic title)
Materials and techniques
Etching and engraving on laid paper
Brief description
Design for a grotesque ornament by Cornelis Floris II (1514-1575); etching and engraving
Physical description
Upright grotesque with auricular and strapwork forms containing trapped male and female figures and demi-figures emerging from the trunk of a tree. The whole suspended from a lion mask. At the top of the structure are nine putti with festoons of fruit. Lettered F bottom centre.
Dimensions
  • Platemark height: 30.9cm
  • Platemark width: 20.6cm
  • Size of sheet height: 32.3cm
  • Size of sheet width: 22.3cm
Measured for the Medieval and Renaissance Galleries
Styles
Marks and inscriptions
  • F (Bottom centre of the print. Part of the sequence of letters for each page of the set)
  • 3 (In pencil on the top right hand corner of the print)
  • A cross above a crowned shield (Watermark)
Gallery label
PRINTS Prints were one of the main ways by which styles spread across Europe. The masks, grotesques and strapwork seen in these examples were common features of Mannerism. Antwerp, where three of these prints come from, was a major centre of printmaking and distribution, with Cornelis Floris one of its most prolific printmakers. He specialised in devising bizarre scenes incoroporating fantastic monsters and the natural world. Grotesque scene with huge gaping mouth 1556 Cornelis Floris (1514-75) Southern Netherlands (Belgium), Antwerp Etching [on paper] Museum no. 29170.5A
Object history
The plates (title-page and eleven plates), from which this print comes, comprises a set entitled 'Veelderleij Veranderinghe van grotissen ende Compertimenten ghemaeckt tot dienste van alle die de Conste beminne ende ghebruiken', and was published by Hieronimus Cock in 1556. Museum number 29170.1 is lettered with the title and 'ghedruckt bij Hieronimus Cock 1556 Cornelis Floris Iventor Libro Primo Cum G. Et Privilegio'.
Historical context
Désiré Guilmard records only 10 plates including the title page. Robert Hedicke notes that those lettered G and I in the set are also known without letters. A.J.J.Delen (p.138) says that this set and the second book were engraved by J. and L. van Duetecum. Hedicke suggests that the designs were only published by Cock some years after they were originally made. The design lettered I in the set was used by De Coster (Dominicus Custos) in 1618 in the composition of cartouches for the portraits of the Fuggers, a set of 127 entitled 'Images: Fuggerorum et Fuggerarum', two impressions from this set with identical cartouches are in the Department of Prints and Drawings, nos. 24965.1 and 7 (Note from departmental catalogue).
Subjects depicted
Summary
Cornelis Floris was one of the foremost inventors of this style of grotesque decoration which incorporates disturbing imagery of human figures trapped within boney and gristly structures. The nightmarish quality of the central area is enlivened by the playfulness of the putti across the top, the fish which swims down the tree trunk and the comical snails which lend a humourous streak to such compositions. The masks, grotesques and strapwork seen in this example were common features of Mannerism and were a new contribution to ornamental design which was much admired and copied in northern Europe. Antwerp was a major centre of printmaking and distribution, with Cornelis Floris one of its most prolific printmakers. Prints such as this spread these styles across Europe.
Associated objects
Bibliographic references
  • 'Some Main Streams and Tributaries in European Ornament from 1500 to 1750', Peter Ward-Jackson; Victoria and Albert Museum; 1969
  • 'Les maîtres ornemanistes, ....; Désiré Guilmard; Paris; 1880-81
  • 'Cornelis Floris und die Florisdekoration'; Robert Hedicke; Berlin; 1913
  • 'Berlin Staatliche Museen: Katalog der Ornamentstichsammlung'; Berlin II; Berlin and Leipzig; 1936-39
  • 'Dutch and Flemish Etchings, Engravings and Woodcuts c.1450-1700'; F.W.H. Hollstein; Amsterdam, 1949 ff.
Collection
Accession number
29170.:5/A

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Record createdJanuary 7, 2009
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