We don’t have an image of this object online yet. V&A Images may have a photograph that we can’t show online, but it may be possible to supply one to you. Email us at vaimages@vam.ac.uk for guidance about fees and timescales, quoting the accession number: E.669:5-1994
Find out about our images

Image of Gallery in South Kensington
Request to view at the Prints & Drawings Study Room, level C , Case GG, Shelf 68, Box G

Print

1991 (made)
Artist/Maker
Place of origin

33p stamp, part of a Royal Mail gift book, showing a representation of the yellow Rosa Harvest Fayre. This stamp, along with four others (E.669:2-6-1994) is loose and displayed on a black paper backing and plastic protective cover; the whole fits into a leaflet designed to fold into an open-ended envelope (E.669:1-1994).


Object details

Categories
Object type
Materials and techniques
Colour offset lithograph from a wood engraving in ink on paper, melinex, glue
Brief description
'Rose' stamp, one of five, in a Royal Mail gift book, colour offset lithography from wood engraving by Yvonne Skargon; British, 1991.
Physical description
33p stamp, part of a Royal Mail gift book, showing a representation of the yellow Rosa Harvest Fayre. This stamp, along with four others (E.669:2-6-1994) is loose and displayed on a black paper backing and plastic protective cover; the whole fits into a leaflet designed to fold into an open-ended envelope (E.669:1-1994).
Dimensions
  • Backing paper height: 11.6cm
  • Backing paper width: 21.5cm
  • Stamp with perforations height: 3.7cm
  • Stamp with perforations width: 3.7cm
Marks and inscriptions
[date of issue and designers' names] (Lettered on back)
Gallery label
Yvonne SKARGON (born 1931) Gift pack of Rose stamps and a proof for Ryal Mail. 1991 Ornamented letters by L.J. Pouchée. c.1820 Colour offset lithograph and wood engraving E.668, 669-1994 Given by Yvonne Skargon ... Wood engraving is also used today for small scale work, where clarity of design is paramount. Since the mid 1960s the Royal Mail has issued special, decorated stamps. The artwork for Yvonne Skargon's Roses shows how allowance was made in the engraving for its photomechanical reproduction. Colour separations were used for the colour. Wood engraving is particularly suited to stamp book covers which need to have a matt surface because of the mechanism of the vending machine. Matt board is however absorbent and therefore a strong design is needed. Harry Brockway's proofs demonstrate his use of the reduction method in order to print in two colours.(1994)
Credit line
Given by the artist
Object history
Acquired in connection with the display A Fine Line - Commercial Wood Engraving in Britain, V&A, 10 October 1994 - 26 March 1995.
Subjects depicted
Bibliographic reference
A Fine Line - Commercial Wood Engraving in Britain, Victoria and Albert Museum, 10 Oct 1994 - 26 Mar 1995
Collection
Accession number
E.669:5-1994

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdJanuary 6, 2009
Record URL
Download as: JSON