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Casket and Cover thumbnail 2
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Casket and Cover

ca. 1400-1425 (made)
Artist/Maker
Place of origin

This is a small oblong casket, made in North Italy, probably Venice, in about 1400-1425. The sides of this casket are decorated with figures, three at either end and four pairs in the centre, and on each corner, a figure bearing a shield and a club. On the lid there are images of flying angels holding globes.
It appears to have originally been a marriage casket.
Together with a number of other small caskets in the collection, this one is representative of a very numerous type which is hard to place in a particular workshop. The layout and compositions used on such caskets seem to have been developed in Baldassare Ubriachi's workshop, although it would seem unwise to attribute the whole group to that source; despite generic similarities, there is a wide variety of styles observable.


Object details

Categories
Object type
Materials and techniques
Bone, horn and intarsia on a softwood carcase
Brief description
Casket and Cover, bone, horn and intarsia on a softwood carcase, Northern Italy (probably Venice), ca. 1400-1425, with later restaurations
Physical description
Rectangular casket and cover of wood, overlaid with bone plaques carved with groups of standing figures, which were originally painted; round the cover are similar plaques of flying angels, two holding balls, and two a scroll. The casket is further decorated with inliad (intarsia) bands of plain and green tinted bone.
The lid is attached with modern hinges and is decorated with intarsia patterns in bone, horn and wood.
Dimensions
  • With handle height: 17.6cm
  • Excluding handle height: 15.1cm
  • Width: 4.75in
Object history
In the collection of William F. Wolley, Pryor's Bank, Fulham, London, until 1894; purchased at Christie's, London, 10 May 1894, lot 53 (with Mus. no. 199-1894, for £9).
Summary
This is a small oblong casket, made in North Italy, probably Venice, in about 1400-1425. The sides of this casket are decorated with figures, three at either end and four pairs in the centre, and on each corner, a figure bearing a shield and a club. On the lid there are images of flying angels holding globes.
It appears to have originally been a marriage casket.
Together with a number of other small caskets in the collection, this one is representative of a very numerous type which is hard to place in a particular workshop. The layout and compositions used on such caskets seem to have been developed in Baldassare Ubriachi's workshop, although it would seem unwise to attribute the whole group to that source; despite generic similarities, there is a wide variety of styles observable.
Bibliographic references
  • Longhurst, Margaret, H. Catalogue of Carvings in Ivory. II. London: The Board of Education, 1929, pp. 6
  • Williamson, Paul, The Thyssen-Bornemisza Collection. Medieval Sculpture and Works of Art, London, 1987 p. 141
  • Williamson, Paul and Davies, Glyn, Medieval Ivory Carvings, 1200-1550, (in 2 parts), V&A Publishing, Victoria and Albert Museum, London, 2014 part II, pp. 838, 9
  • Williamson, Paul and Davies, Glyn, Medieval Ivory Carvings, 1200-1550, (in 2 parts), V&A Publishing, Victoria and Albert Museum, London, 2014, part II, pp. 838, 9, cat. no. 275
Collection
Accession number
198-1894

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Record createdJanuary 5, 2009
Record URL
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