Frieze representing Milton from the Modern Drama on the theatre at Covent Garden thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Sculpture, Room 22, The Dorothy and Michael Hintze Galleries

Frieze representing Milton from the Modern Drama on the theatre at Covent Garden

Relief
1809 (made)
Artist/Maker
Place of origin

This is one of four plaster models for two stone friezes for Covent Garden Theatre (now the Royal Opera House), which were commissioned from Flaxman in 1809 by the architect Robert Smirke (1780-1867). The friezes represent the Ancient and Modern Drama. They were probably the first examples of the direct influence of the Parthenon marbles, which Flaxman had seen in 1807 when they were brought to England by Lord Elgin (and which are now in the British Museum). This one, along with that depicting Shakespeare (A.10-1968), illustrates 'Modern Drama' (as opposed to ancient drama). It shows Milton seated at the left with figures from his dramatic poem 'Comus'.

John Flaxman (1755-1826) was an English sculptor, designer and teacher. He was the most famous English Neo-classical sculptor of the late 18th century and the early 19th. He focused on monumental sculpture and church monuments and portrait busts. A large collection of his plaster models is held in the Strang Print Room, University College, London. He also made outline illustrations of Homer, Aeschylus and Dante. Many of those in his sketchbooks (now in the V&A) were drawn from the antique while he was in Italy. Furthermore he produced models for pottery and silver supplying the pottery manufacturer Josiah Wedgwood among others. He thus can be considered as an important pioneer in the development of Industrial Design.


Object details

Categories
Object type
TitleFrieze representing Milton from the Modern Drama on the theatre at Covent Garden (generic title)
Materials and techniques
Cast plaster
Brief description
Relief, frieze, plaster, representing Milton from the modern drama on the theatre at Covent Garden, John Flaxman, England, 1809
Physical description
The plaster frieze shows Milton seated on the left, with figures from his long dramatic poem 'Comus'.
Dimensions
  • Height: 47.9cm
  • Length: 177.2cm
Style
Production typeDesign
Gallery label
  • John Flaxman (1755–1826) and John Felix Rossi (1762–1839) Models for the friezes on the theatre at Covent Garden 1809 These reliefs, in a fluid classical style, depict ancient Greek drama and modern theatre, with portraits of William Shakespeare and John Milton. They are among the first works of British sculpture to be directly influenced by the Parthenon Marbles, which Flaxman studied at Lord Elgin’s house in 1807. Elgin removed the Marbles from the ancient Greek site between 1801 and 1805 and they have been in London ever since. London Plaster(2021)
  • These reliefs, in a fluid classical style, depict characters associated with Ancient and Modern theatre. They are among the first works of British sculpture to be directly influenced by the Parthenon marbles, which Flaxman inspected at Lord Elgin's house soon after their arrival in England in 1807. (13/10/2021)
Credit line
Given by Mr H. Barr-Davies
Object history
This is one of four plaster models for two stone friezes for Covent Garden Theatre (now the Royal Opera House), which were commissioned from Flaxman in 1809 by the architect Robert Smirke (1780-1867). The friezes repreent the Ancient and Modern Drama. They were probably the first examples of the direct influence of the Parthenon marbles, which Flaxman had seen in 1807 when they were brought to England by Lord Elgin (and which are now in the British Museum).
Given by Mr Barrs-Davies in 1968.
Formerly in the possession of the donor's great-grandfather, the sculptor Henry Westmacott and by descent to his son the sculptor James Sherwood Westmacott. By descent to Mr H. Barrs-Davies and given by him to the Museum in 1968.
Production
This is one of four plaster models for two stone friezes for Covent Garden Theatre (now the Royal Opera House), which were commissioned from Flaxman in 1809 by the architect Robert Smirke (1780-1867)..The friezes repreent the Ancient and Modern Drama. They were probably the first examples of the direct influence of the Parthenon marbles, which Flaxman had seen in 1807, when they were brought to England by Lord Elgin (they are now in the British Museum).
Subject depicted
Associations
Literary referenceComus
Summary
This is one of four plaster models for two stone friezes for Covent Garden Theatre (now the Royal Opera House), which were commissioned from Flaxman in 1809 by the architect Robert Smirke (1780-1867). The friezes represent the Ancient and Modern Drama. They were probably the first examples of the direct influence of the Parthenon marbles, which Flaxman had seen in 1807 when they were brought to England by Lord Elgin (and which are now in the British Museum). This one, along with that depicting Shakespeare (A.10-1968), illustrates 'Modern Drama' (as opposed to ancient drama). It shows Milton seated at the left with figures from his dramatic poem 'Comus'.

John Flaxman (1755-1826) was an English sculptor, designer and teacher. He was the most famous English Neo-classical sculptor of the late 18th century and the early 19th. He focused on monumental sculpture and church monuments and portrait busts. A large collection of his plaster models is held in the Strang Print Room, University College, London. He also made outline illustrations of Homer, Aeschylus and Dante. Many of those in his sketchbooks (now in the V&A) were drawn from the antique while he was in Italy. Furthermore he produced models for pottery and silver supplying the pottery manufacturer Josiah Wedgwood among others. He thus can be considered as an important pioneer in the development of Industrial Design.
Associated objects
Bibliographic references
  • D. Bilbey and M. Trusted, British Sculpture 1470-2000, London, 2002, cat. no. 116 on p. 83, with earlier references.
  • Whinney, Margaret. English Sculpture 1720-1830, London, HMSO, 1971, p. 142.
Collection
Accession number
A.11-1968

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Record createdDecember 29, 2008
Record URL
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