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St.Francis of Assisi Receiving the Stigmata

Engraving
after ca. 1514 (made)
Artist/Maker
Place of origin

Like his contemporary, Albrecht Dürer, Lucas van Leyden was internationally recognised within his lifetime and beyond. Giorgio Vasari, writing in 1568, praised Leyden's fine engraving style and his use of perspective. Fine quality early impressions of his prints are rare. Copper printing plates are capable of producing only one or two hundred fine impressions before the plate starts to wear down, especially with a fine line engraving style as Leyden's. Such was Leyden's reputation and his prints so sought by collectors that his original printing plates were kept and impressions taken from them long after his death, resulting in a larger number of surviving poor and worn impressions than fine ones. Numerous copies were also made from his originals, which satisfied demand when originals were not available or affordable and for collectors of images interested more in subject matter.


Object details

Categories
Object type
TitleSt.Francis of Assisi Receiving the Stigmata (generic title)
Materials and techniques
Engraving in ink on paper
Brief description
Engraving, St. Francis Receiving the Stigmata, copy after Lucas Hugensz van Leyden (called Lucas Jacobsz).
Physical description
St. Francis kneels on the floor in woodland. He is wearing a habit and tonsure and has a halo. His bag lies abandoned on the floor next to him. He is seeing a vision of Christ on the cross, and lines connect Christ's wounds to Francis's hands, feet and chest. Behind a rock to the right is another man sleeping; his head and shoulders only are visible.
Dimensions
  • Max, cropped image height: 10.4cm
  • Max, cropped image width: 8.4cm
  • Paper backing height: 36.1cm
  • Paper backing width: 26.7cm
Style
Production typeCopy
Marks and inscriptions
L (Artist initial inscribed on plate bottom left corner)
Production
dating of original from New Hollstein
Subjects depicted
Summary
Like his contemporary, Albrecht Dürer, Lucas van Leyden was internationally recognised within his lifetime and beyond. Giorgio Vasari, writing in 1568, praised Leyden's fine engraving style and his use of perspective. Fine quality early impressions of his prints are rare. Copper printing plates are capable of producing only one or two hundred fine impressions before the plate starts to wear down, especially with a fine line engraving style as Leyden's. Such was Leyden's reputation and his prints so sought by collectors that his original printing plates were kept and impressions taken from them long after his death, resulting in a larger number of surviving poor and worn impressions than fine ones. Numerous copies were also made from his originals, which satisfied demand when originals were not available or affordable and for collectors of images interested more in subject matter.
Bibliographic references
  • Bartsch, Adam von. Le Peintre Graveur. Leipzig, J.A. Barth, 1854-1876.
  • The New Hollstein: Dutch & Flemish etchings, engravings and woodcuts, 1450-1700. Roosendaal. Koninklijke Van Poll in cooperation with the Rijksprentenkabinet, Rijksmuseum, Amsterdam, 1993-
  • Cornelis, Bart and Jan Piet Filedt Kok. The taste for Lucas van Leyden prints. In: Simiolus - Netherlands Quarterly for the History of Art. 26: 1/2 (1998).
Other number
Bartsch 120
Collection
Accession number
28910B

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Record createdDecember 22, 2008
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