St.Francis of Assisi Receiving the Stigmata
Engraving
after ca. 1514 (made)
after ca. 1514 (made)
Artist/Maker | |
Place of origin |
Like his contemporary, Albrecht Dürer, Lucas van Leyden was internationally recognised within his lifetime and beyond. Giorgio Vasari, writing in 1568, praised Leyden's fine engraving style and his use of perspective. Fine quality early impressions of his prints are rare. Copper printing plates are capable of producing only one or two hundred fine impressions before the plate starts to wear down, especially with a fine line engraving style as Leyden's. Such was Leyden's reputation and his prints so sought by collectors that his original printing plates were kept and impressions taken from them long after his death, resulting in a larger number of surviving poor and worn impressions than fine ones. Numerous copies were also made from his originals, which satisfied demand when originals were not available or affordable and for collectors of images interested more in subject matter.
Object details
Categories | |
Object type | |
Title | St.Francis of Assisi Receiving the Stigmata (generic title) |
Materials and techniques | Engraving in ink on paper |
Brief description | Engraving, St. Francis Receiving the Stigmata, copy after Lucas Hugensz van Leyden (called Lucas Jacobsz). |
Physical description | St. Francis kneels on the floor in woodland. He is wearing a habit and tonsure and has a halo. His bag lies abandoned on the floor next to him. He is seeing a vision of Christ on the cross, and lines connect Christ's wounds to Francis's hands, feet and chest. Behind a rock to the right is another man sleeping; his head and shoulders only are visible. |
Dimensions |
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Style | |
Production type | Copy |
Marks and inscriptions | L (Artist initial inscribed on plate bottom left corner) |
Production | dating of original from New Hollstein |
Subjects depicted | |
Summary | Like his contemporary, Albrecht Dürer, Lucas van Leyden was internationally recognised within his lifetime and beyond. Giorgio Vasari, writing in 1568, praised Leyden's fine engraving style and his use of perspective. Fine quality early impressions of his prints are rare. Copper printing plates are capable of producing only one or two hundred fine impressions before the plate starts to wear down, especially with a fine line engraving style as Leyden's. Such was Leyden's reputation and his prints so sought by collectors that his original printing plates were kept and impressions taken from them long after his death, resulting in a larger number of surviving poor and worn impressions than fine ones. Numerous copies were also made from his originals, which satisfied demand when originals were not available or affordable and for collectors of images interested more in subject matter. |
Bibliographic references |
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Other number | Bartsch 120 |
Collection | |
Accession number | 28910B |
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Record created | December 22, 2008 |
Record URL |
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