Guanyin thumbnail 1
Image of Gallery in South Kensington
On display at V&A South Kensington
Ceramics, Room 145

Guanyin

Figure
1620-1700 (made)
Artist/Maker
Place of origin

Porcelain figures of Guanyin, the Buddhist goddess of Compassion, were popular products of the Dehua kilns in Fujian province, south-east China. Dehua was the second largest producer of ceramics, including export ware, after Jingdezhen.

Moulded and finished by hand, these figures were usually placed on household altars and worshipped as devotional images in China. During the17th century they became popular in Europe, where the body and colour of the Dehua ware, also known as 'blanc de Chine', were much admired. The figures were placed on tables and cabinets in the residences of aristocrats and wealthy people, or exhibited in the so-called 'porcelain rooms', where walls and niches were completely filled with large quantities of ceramics. One of the most important European collections of this type belonged to Augustus the Strong of Saxony (d. 1733), who owned over twenty thousand pieces.


Object details

Categories
Object type
TitleGuanyin (generic title)
Materials and techniques
Porcelain with clear glaze
Brief description
Figure of Guanyin, moulded porcelain with clear glaze, Dehua ware, ca.1620-1700
Physical description
Porcelain figure of Guanyin with clear glaze, seated on a rock work; a child with folded hands standing next to her.
Dimensions
  • Height: 23.5cm
Styles
Gallery label
Guanyin, goddess of mercy, with disciple China, Dehua, 1620–1700 Museum no. 1123-1875(September 2009)
Object history
Purchased from Siegfried Bing (Paris), accessioned in 1875. This acquisition information reflects that found in the Asia Department registers, as part of a 2022 provenance research project.
Subjects depicted
Summary
Porcelain figures of Guanyin, the Buddhist goddess of Compassion, were popular products of the Dehua kilns in Fujian province, south-east China. Dehua was the second largest producer of ceramics, including export ware, after Jingdezhen.

Moulded and finished by hand, these figures were usually placed on household altars and worshipped as devotional images in China. During the17th century they became popular in Europe, where the body and colour of the Dehua ware, also known as 'blanc de Chine', were much admired. The figures were placed on tables and cabinets in the residences of aristocrats and wealthy people, or exhibited in the so-called 'porcelain rooms', where walls and niches were completely filled with large quantities of ceramics. One of the most important European collections of this type belonged to Augustus the Strong of Saxony (d. 1733), who owned over twenty thousand pieces.
Bibliographic reference
Kerr, Rose and Luisa E. Mengoni Chinese Export Ceramics London: V&A Publishing, 2011, p.126, pl.179
Collection
Accession number
1123-1875

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Record createdDecember 8, 2008
Record URL
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