Walnut with low relief carving and partly gilded

Rectangular boarded stool, the feet separated by a scrolling arch; with a plain top (replaced), nailed from the top (irregular rectangular headed iron nails), and the front and back nailed onto the ends. The four sides carved in low relief with leafy scrolls on a punched ground within straight border bands and scrolls. Each panel has been cut along the line of the underside of the lower scroll to form four feet. With two sets of applied mouldings (possibly replacements) running all round above (bevel and cyma reversa) and below (torus and cavetto), the frieze with guilloche ornament centred on scrolls. The mouldings have been mitred at the corners, and have been chamfered across the corners instead of at a projecting angle, possibly in the 19th century (if they are original). The scrollwork bands gessoed and gilded, the leafy scrolls gilded without a gesso ground. The internal surfaces all plain, with tool marks (jack plane and saw).

Condition
The seat replaced. The applied mouldings mitred at the corners (the joints somewhat opened). A split in one side and both wide boards with reglued splits. All four feet heavily worm eaten. The gilding a mix of gilt and paint.

Bought (with its pair 23A-1891) from Stefano Bardini as part of a large consignment of furniture (museum nos. 9 to 45 incl.) for £2450. 1. 11

This stool and its pair appear to be relatively rare survivals.

Similar carved stools (all, apparently) with a hand-slot in the seat, are seen in 16th century illustrations, such as plates 266 (carved and probably partly gilded, dated 1594), 252 (plain without surface carving, dated 1570, and captioned 'bancette per sedere'), in P.K.Thornton, The Italian Renaissance Interior 1400-1600 (London 1991).

Thornton, p.168, differentiates this type of four-sided box or boarded stool (scagno, scanno, schanno) from the earlier milking-stool, staked type with turned legs fitted (and wedged) into a solid round or ocatagonal wooden seat. The overlapping board seat braces the structure, and arch shape 'feet' were cut into the lower edges of the flanking boards. 'A slot was often cut into the seat so one could slip one's fingers through and carry the box to where it was needed. This type of stool, made slightly taller, could also serve as a writing desk, or as a supper-table for a single person; if made taller still it could serve as a candlestand or support for busts or vases.' He cites a document describing a stool for Lorenzo de' Medici 'a small desk of walnut covered with leather on which one can sit.' Painted or intarsia decorated stools (where they appear in documents of the period) would have been this type of stool. Carved ornament became fashionable from about 1500, 'first with a rim round the cut-out at the bottom edge and then with increasing amounts of scrollwork, masks and festoons. At some point early in the sixteenth century joiners began to make two opposed sides more prominent while the other two sides were reduced in size to become mere inset bracing pieces [as here].'

Stools of this appear to have been relatively common possessions (found also in the sala of artisan houses (see Sandra Cavallo in At Home in Renaissance Italy, eds.Marta Ajmar-Wollheim and Flora Dennis (London, 2006)). Plainer versions were probably more likely to have been used in service areas (eg kitchen), though they would have been awkward to use on uneven floors, carved and gilded versions for the more richly furnished rooms of wealthier households. Thornton suggests that stools of this type were used in Italian 16th century bed chambers, but it is likely that they were found in any well furnished rooms, and would have certainly been convenient for use at table (see illustration 17.1 in At Home in Renaissance Italy, eds.Marta Ajmar-Wollheim and Flora Dennis (London, 2006), p.245, or while music-making (see p.233).

This stool and its pair appears to be a relatively rare survival.

Comparable stools:
Stool, Rome 1615-44, walnut veneered with rosewood, ebony and ivory, for Cardinal Giulio Savelli
Museo d'arti applicate. Mobili e intagli lignei / Enrico Colle ; con la collaborazione di Susanna Zanuso. Enrico Colle, Milano : Electa, c1996, no. 309

probably Tuscany

During the period 1500 to 1600 in Italy, stools were usually placed in more intimate settings than chairs, or for the use of less important members of a household in the hall. Like many surviving examples of this period, this stool and its pair (also in the Museum) have some replacement parts. It was acquired in 1891 from Stefano Bardini (1836 - 1922), the most famous Italian dealer of his day. His clients ranged from private collectors like Isabella Stewart Gardner of Boston and Albert Figdor of Vienna, to museums like the Louvre in Paris and the Hermitage in St Petersburg, as well as the South Kensington Museum, London (now the V&A).

23-1891