Vase thumbnail 1
Vase thumbnail 2
Image of Gallery in South Kensington
On display at V&A South Kensington
Japan, Room 45, The Toshiba Gallery

This object consists of 2 parts, some of which may be located elsewhere.

Vase

2004 (made)
Artist/Maker
Place of origin

Matsuzaki Ken (born in Tokyo in 1950) has worked in Mashiko since 1972, when he became an apprentice to the late Shimaoka Tatsuzo (1919-2008), the leading disciple of Hamada Shoji (1894-1978). He established his own workshop in 1977 and has since earned himself an increasingly important reputation for his emphatically potted and, in the case of his Shino and Oribe wares, thickly glazed vessel forms. This vase belongs to another main category of work whereby he uses a domed, single-chambered wood-fired kiln with two fireboxes to produce naturally ash-glazed yohen (literally 'transformed by fire') pots. During the firing, which can last for up to a week, he uses a long metal rod to push over and roll the pots in the white-hot ashes of the kiln. The final result is thus a combination of chance effect and careful calculation.


Object details

Category
Object type
Parts
This object consists of 2 parts.

  • Vase
  • Storage Box
Materials and techniques
Stoneware with yohen (kiln change) surface colouring and natural ash glaze
Brief description
Stoneware vase and storage box, Matsuzaki, Ken, made Mashiko 2004
Physical description
Mallet-shaped vase consisting of a cylindrical, slightly tapering body, flat shoulders, and a shorter and narrower, cylindrical neck with a slightly everted mouth; the settling of the natural ash glaze is particularly evident on the shoulders and on the body, where its effects are enhanced by the horizontal ribmarks that have been intentionally left
Dimensions
  • Height: 25.4cm
  • Diameter: 12.7cm
Gallery label
Vase 2004 Matsuzaki Ken moved to the historic pottery-making town of Mashiko to become an apprentice to the leading disciple of Hamada Shōji. Hamada was one of the founders of the Japanese Folk Craft movement and the person who made Mashiko famous after he settled there in the 1920s. The surface effects on this vase were achieved by using a specially designed wood-fired kiln. [62] Matsuzaki Ken (born 1950) Mashiko Stoneware with natural ash glaze Given by Bernie and Sue Pucker in honour of Thelma Frye Museum no. FE.323-2005 (04/11/2015)
Credit line
Given by Bernie and Sue Pucker in honour of Thelma Frye
Summary
Matsuzaki Ken (born in Tokyo in 1950) has worked in Mashiko since 1972, when he became an apprentice to the late Shimaoka Tatsuzo (1919-2008), the leading disciple of Hamada Shoji (1894-1978). He established his own workshop in 1977 and has since earned himself an increasingly important reputation for his emphatically potted and, in the case of his Shino and Oribe wares, thickly glazed vessel forms. This vase belongs to another main category of work whereby he uses a domed, single-chambered wood-fired kiln with two fireboxes to produce naturally ash-glazed yohen (literally 'transformed by fire') pots. During the firing, which can last for up to a week, he uses a long metal rod to push over and roll the pots in the white-hot ashes of the kiln. The final result is thus a combination of chance effect and careful calculation.
Collection
Accession number
FE.323:1, 2-2005

About this object record

Explore the Collections contains over a million catalogue records, and over half a million images. It is a working database that includes information compiled over the life of the museum. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. We are committed to addressing these issues, and to review and update our records accordingly.

You can write to us to suggest improvements to the record.

Suggest feedback

Record createdNovember 24, 2008
Record URL
Download as: JSON